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kondor19780726 [428]
3 years ago
13

In Shery Turkle's Article, "The Flight from Conversation", How does Turkle supports her claim. Consider her diction, rhetorical

devices, and other persuasive strategies.
English
1 answer:
Serhud [2]3 years ago
5 0

Answer:

We are living in the age of digital communication. At all times we see the launch of more technological devices, with more efficient connection networks that allow us to establish communication with anyone anywhere in the world who has access to this type of technology and the best, we can do this without leaving home .

This context seems to establish a perfect reality, where communication is increasingly efficient, but it is not quite so. At least not in the opinion of Sherry Turkle, who believes that in the best place for our communication, technology is destroying it.

In his article "The Flight from Conversation," Turkle states that technology is promoting the loss of the ability to socialize and establish a face-to-face conversation, where it is difficult to hide our real feelings, or "make up" our personality. The expensive conversation the face emits a certain vulnerability that the virtual conversation does not and therefore it is preferable

Turkle uses logical resources to show that disengagement is also an important factor in this situation, because we can be close to people with our goals, but at the same time away, because we don’t need to be close to talking to them, we don’t need to answer communication between them.

Turkle uses clear and direct words, so that anyone can conclude that as technology evolves, communication becomes more artificial and rare, with no real personal connection between individuals.

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jekas [21]
Hey there! I've been reading too much of "Tower of God" recently (it's a great webtoon!), so I'll take some examples from there. Don't worry! This isn't intended as an advertisement, haha.

The main character, Baam, acquires great power by season 2. He uses his immense abilities to protect his friends, instead of using it to purposely hurt anyone with the intent of making them suffer. Of course, this is in a comic, so it isn't really realistic. In real life, power (which is usually wealth or a powerful position) can be used to help others by donating to those in need. Charity and nonprofits all need those donations! They can be used to help make the world better for many.

On the other hand, there are people who use power for bad things. For example, a powerful business tyrant may use his influence and money to get rid of rivaling competitors. This is very dirty, but his power made hurting his rivals possible. Hurting them could mean anything from sabotaging their next big breakthrough project to something as overboard as killing them. 

Hope this helps! Have a great day :)
6 0
3 years ago
Where did Laertes and Hamlet first fight?
Keith_Richards [23]

Answer:

Ophelia's grave

Explanation:

In Hamlet, by William Shakespeare, there is a conflict between Hamlet and Laertes where they are engaged in a duel.

In the course of the duel, they both jump into Ophelia's grave in a fight to the death. Hamlet tells Laertes that he loves Ophelia and would "eat a crocodile for her" and be "buried alive with her".

5 0
3 years ago
How does Shakespeare use the recurring theme of "fate vs. man" in Macbeth?
PolarNik [594]
The recurring theme of "fate vs. man" shows how a weird and cosmic chain of events and temptation is unavoidably going to affect the protagonist.

Hope this helps!
3 0
3 years ago
Revenue is the amount of money that...
densk [106]

Answer:

the government spends on defense the government collects from taxes or borrowing the government owes in debt the government uses to provide social services

Explanation:

Revenue is the amount of money that the government spends on defense the government collects from taxes or borrowing the government owes in debt the government uses to provide social services

4 0
3 years ago
Read 2 more answers
Help please!
NikAS [45]

Answer:

The most significant source forA Midsummer Night’s Dream is Roman poet Ovid’s Metamorphoses, an epic poem that weaves together many Greek and Roman myths. Shakespeare alludes to many of the stories from Metamorphoses, but the story with the most obvious importance for his play is that of Pyramus and Thisbe. Originally appearing in Book IV of Ovid’s poem, this story tells of two lovers who long to marry against their parents’ wishes and who come to a tragic end in the attempt to do so. Shakespeare adapts this story for Midsummer’s play-within-a-play, performed in the final act by a group of craftsmen. The theatrical ineptitude of this troupe undermines the seriousness of their subject matter. What results is an ironically comedic performance that delights rather than saddens the audience of Athenian nobles. Perhaps the most ironic aspect of the craftsmen’s retelling is just how un-Ovidian their play is, and how this un-Ovidian spirit contrasts with the very Ovidian nature of the rest of Midsummer. Whereas the main storyline of Midsummer involves an engaging series of transformations and supernatural beings, the craftsmen’s production offers a dull, bare-bones retelling.

Significantly, the craftsmen’s production of “Pyramus and Thisbe” also parallels the main plot of Shakespeare’s play. Just as Theseus bans Hermia from marrying Lysander, so too do the fathers of Pyramus and Thisbe ban their union. Furthermore, just as Lysander and Hermia flee Athens and its harsh laws, so too do Pyramus and Thisbe flee Babylon to safeguard their love. One obvious difference between Midsummer and the story of Pyramus and Thisbe is that the former is a comedy and the latter is a tragedy. Nevertheless, Shakespeare manages to play comedy and tragedy against each other in such a way that draws the two stories into a mirrored relationship. Thus, just as the craftsmen set out to perform a tragedy but end up in the midst of a comedy, so too does the main story of Midsummer begin with the threat of tragedy (i.e., unhappy marriage or death) but ends with all of the lovers alive and in their preferred pairings.

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2 years ago
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