Answer:
Chartres is the second picture, Romanesque is the first picuter, and Gothic is third picture.
Explanation:
Answer:
The king's portrait was used to show his authority, to show his supremacy and presence. It was also used to demonstrate its political influence.
Explanation:
The king's portrait could have many uses, but the most important of them was to show authority, nobility and power. For this reason, these portraits were created with the best possible material, in addition to being made by the most talented artist who should replicate the image of the king with beauty and elements that show his wealth, superiority, presence and political power.
These portraits were used to show political influence, to represent agreements, to show the king's masculinity, to show his power, among others.
Though Donatello was a descendant of a branch of the important Bardi family, he was brought up in a more plebeian tradition than his older contemporary Lorenzo Ghiberti. Gifted with humanistic insight and a quality of will that were highly prized in the early Renaissance, Donatello revealed the inner life of his heroic subjects, memorable images which have conditioned our very conception of 15th-century Florence. Sharing neither Ghiberti's feeling for line nor Filippo Brunelleschi's interest in proportion, Donatello worked creatively with bronze, stone, and wood, impatient with surface refinements and anxious to explore the optical qualities he observed in the world about him. His later art, saturated with the spirit of Roman antiquity, is frequently disturbing in its immediacy as it attains a level of dramatic force hitherto unknown in Italian sculpture.
