The texture in which all the voices move in the same rhythm is called as a homorhythm.
When utilized in simple hymn or chorale settings, homorhythm refers to a texture that has "similarity of rhythm in all parts" or "quite similar rhythm." A homophonic condition is homorhythm. The same rhythm is sung by all voices. As a result, a blocked chordal texture known as homophonic is produced.
Polyrhythm, on the other hand, is the concurrent employment of two or more rhythms that are not immediately understood to be related to one another or as straightforward representations of the same meter. A complete piece of music or a little segment of it may be built on the rhythmic layers.
To learn more about polymeter here: brainly.com/question/15076015
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The best answer I could find is that he thought inspiration came from hard work and discipline. A quote that supports this point would be when he said: "To know what you're going to draw, you have to begin drawing." So, inspirations doesn't just happen by chance.
A study conducted by MusicWatch shows that 90% of social media users take part in some form of music- or artist-related activity on social platforms.
Two-thirds of social media users agree that they discover new artists on social media, and nearly 60%are visiting online streaming services/platforms to listen to music after they see an update, tweet or post.
In short, technology has a huge impact on musicians, from music making, editing, streaming, advertising and branding there is no longer a need for record labels, conventional advertisements or music studios. Songs can be created from the comfort of a home and shared to millions across the globe, with listening habits being tracked and moulded by algorithms. Though physical sales have suffered, there are large opportunities for success now laying before the less conventional and lesser-known musicians, bringing a more diverse wealth of sounds for the public to enjoy.
Answer:
Broo did u make this?
Explanation:
If you did great job its more than Good its Awesome...Heres a crown for you
The answer is Option C (Ternary Form)
Bedrich Smetana's "The Moldau", which was originally called "Vltava" mostly has a ternary (ABA) form. T<span>he first theme ("A") is played twice, followed by the second theme, or development ("B") of the piece, we are then brought back to "A", which is played partly through, before being abruptly halted to switch to a developmental minor section.</span>