<span>Good Morning!
The differences between the rock arts, those made by individuals known as "prehistoric", are in the environment in which they found themselves. Africans, for example, drew animals that appear on the African continent, such as lions and deer, while Americans often draw other animals, such as capybaras, anteaters, and so on.
The main influence, therefore, lies in the environment, in which the nature of each space offers differently.
Hugs!</span>
<span>The
new traditionalists’ bands used elements of earlier rock music due to the fact they
were genuine and interested in visiting again older styles. The new traditionalists wanted to engage some
sounds of the past rock and images. They
even want to return to the “core aesthetic values” of the pre-hippie rock style
in a more suitable and non-ironic manner.</span>
Answer:
I'm going to choose 3 superpowers.
Explanation:
1st:
<em>Invisibility</em>
Who wanted want to literally disappear? I can literally sneak into any area I freely wish for. I can scare anyone I want. Pranking to the extreme.
2nd:
<em>Ability to bend time</em>
I would control time but not where it tears rip into space. It doesn't affect your future.
3rd:
<em>Teleportation</em>
Two words. Time saved. I can literally be on any spot I want.
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Answer:
You'll have to find a file converter, there are many found online that you can automatically access online, or will have to add as extension or download. You can typically find them on google.
Answer:
Explanation:
Surrealism, movement in visual art and literature, flourishing in Europe between World Wars I and II. Surrealism grew principally out of the earlier Dada movement, which before World War I produced works of anti-art that deliberately defied reason; but Surrealism’s emphasis was not on negation but on positive expression. The movement represented a reaction against what its members saw as the destruction wrought by the “rationalism” that had guided European culture and politics in the past and that had culminated in the horrors of World War I. According to the major spokesman of the movement, the poet and critic André Breton, who published The Surrealist Manifesto in 1924, Surrealism was a means of reuniting conscious and unconscious realms of experience so completely that the world of dream and fantasy would be joined to the everyday rational world in “an absolute reality, a surreality.” Drawing heavily on theories adapted from Sigmund Freud, Breton saw the unconscious as the wellspring of the imagination. He defined genius in terms of accessibility to this normally untapped realm, which, he believed, could be attained by poets and painters alike.
