Answer:
The two sets of lines that are enjambed in this excerpt from John Milton's Paradise Lost are
Lines 3-4
Say first, for Heav'n hides nothing from thy view
Nor the deep Tract of Hell, say first what cause
Mov'd our Grand Parents in that happy State,
Lines 6-7
Favour'd of Heav'n so highly, to fall off
From their Creator, and transgress his Will
For one restraint, Lords of the World besides?'
Explanation:
Enjambed lines are the ones that don't conclude the idea of the clause, it is instead continued in the next lines, where it may or may not conclude in case that it concludes it'll have a mark like a full stop or a comma if not it will be enjambed to the next line.
Answer: Clarification and supporting details to go with it
Explanation: Can you help me out by making me brainliest.
Answer:
The text says that Caliban has swollen feet, a scarred face, fourteen scars on his head, a piece of his right ear missing, and has a crooked noes. These disfigurements suggest that he was in battle, lives in the wild, or lives roughly. In this story, he is outside, looking into a pond, and it suggests that he is on foot, perhaps travelling.
Answer:
The answer is: the fact that the entire town has paid to see
the "show" again, but this time they're
bringing things to throw at the duke and the king
Explanation:
This is the excerpt from the Mark Twain's "The adventures of Huckleberry Finn". Reading this text, we see that Huck notices that people who came to see the show have already been there previous nights and also that they are hiding something under the coats or in the pockets. Huck realizes that whatever they're hiding is responsible for the unbearable, foul smells which he identifies as the rotten egs and cabbage. This shows the true intentions of people who paid to see the show once more.
I believe you are talking about Romeo and Juliet
Shakespeare let you know the tragic ending of the story right at the very beginning since he uses foreshadowing. In Act 2, you can see Romeo having a bad feeling about going to the banquet.
