Answer:
In this excerpt from the novel "The Mysteries of Udolfo" written by Ann Radcliffe, we see how the author develops the theme of fear. She is doing that mostly through the atmosphere - the surroundings around the protagonist are scary and dark; there are tall trees and woods that instill fear in her. She specifically says in the excerpt that these surroundings "awakened terrific images in her mind," meaning that she was scared of what might happen.
Other images include "the deep tone of the portal bell," which even increases her fear and anxiety about the whole situation. The building itself is quite scary, looking ancient and dreary which only makes her feel even more frightened.
The examples above are directly stated in the text to show her fear but the atmosphere itself makes even the reader feel uncomfortable with its unsettling nature. It is both directly stated and implied based on the atmosphere that the protagonist is quite frightened.
<span>The comment "This is not princely, to be swept away by wonder at your fathers presence" implies that in their time, princes did not display emotions but were more subdued and level. The correct answer is D. Princes were not expected to display emotion.</span>
I haven’t read the book but the first answer is no because some immigrants still are poor as they come to America even though they have a job and don’t achieve the American dream in
Answer:
J. By showing the number of crew members on the Tangaroa
Explanation:
F. is not the correct answer. In the photo, we do not see anything resembling a crate.
G. isn't the right answer. There is no presence of the slide on the photograph.
H. is incorrect. We cannot determine what the weather conditions are from the photograph.
<u>J. is the correct answer. The photograph clearly shows four crewmember releasing Happy Feet and a penguin who is on its way to leave the board of Tangaroa. </u>This is supported by the caption underneath the photo and is correlating with the text of the article.
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This expression taken from Allan Poe the "surf-tormented shore" becomes a second metaphor for time, as the waters of the sea slowly but inexorably pound away at the physical existence of the shore.
