Answer: Line: Horizontal line of the tie/scarf; the vertical lines in the basket and with the flowers; the diagonal lines of the shawl; the curvilinear lines of the flowers and that of the woman; etc. Color: the darkness in the background to draw the eyes to the flowers and woman; the contrast in light between the woman and the flowers; etc. Texture: the shadowing on the basket, shawl, and flowers make them appear real if we could touch them; etc. Space: the grandness of the flowers; the small portions of the woman; the man standing behind the basket, the way the flowers appear overtop the woman's head and body; etc. Shape: the shape of the basket, the flowers, the flower centers, the body of the women, etc. Form: the depth created by the man behind the woman and the flowers; the height and presence of the flowers; the meekness and serenity of the woman; the way the eyes seems to start at the woman and then go up and cascade along the flower; etc.
Answer:
The still life pictures were one of the selective collections of the family kept as possessions cherished and treasured.
Illustration to reflect on it can be taken from Jan Davids de Heem as for an artist of still life. The art in particular portrayed food, jewelry, rich utensils, pair of parrots and a well laid elaborate table with different articles and things well spread on it.
These still life paintings were rich and attractive in colors and its representation giving out and projecting elaborate pictures, with all the possible detailing by the way of perfect strokes, bright colors come out as valid attraction and long-lasting impression on the viewers. The picture of still life was so made and patterned that it was not a vague creation and rather a planned drawing in itself to draw proper attention of the viewer and in the very manner so as to draw attention to the various aspects of the very picture of the still life.
Explanation:
