Explanation:
"The Storm" is one of the most famous short stories that was written in the year 1898 by the author named, Kate Chopin. It is about a love story about two person, Calixta and Alcee.
The author uses many symbols to represents and plots his story. One such symbols is the 'storm'. It is the main symbol of the story. It mainly represents the sexual drive of Alcée and Calixta and their repercussions because of this drive. The 'rain' is also used as a symbol in this story. It symbolizes and introduces the adulterous affair between the two. The rain starts falling when Alcee arrive sand it stops as he moves away. Other symbols used are the name of the place, Assumption, the colors white, red, green, etc.
The setting placed in this story tries to create the perfect environment for an adulterous affair. In “The Storm”, by Kate Chopin, Chopin not only wishes to create the perfect setting but she also uses her setting as the symbol of the affair. The storm and the sexual passion of Calixta and Alcée are both potentially destructive. The storm's destructive act which lead the two protagonists to have sex, it will most likely to have a destructive effect to their marriages.
Kate Chopin uses the word 'storm' as a metaphor as it sets the mood of the setting of the story and also it symbolizes its potential destructive nature which may ruin the marriage life of both Alcee and Calixta.
Answer: A pegasus
Explanation: He describe his horse as a pegasus and himself as a perseus- The Horse as Cultural Icon by Peter Edwards
Answer:
Parker is referring to poor people's helplessness when she says "the poor are always silent." Money is extremely important in poverty. Money is the perfect solution to all problems. Poor people, on the other hand, feel weaker as a result of a lack of resources
Explanation:
Gilman expresses her feelings about the role women had in society at the time using the literary form of allegory. Allegorizing her own challenges, she demonstrates how she chose art [writing] over difficult experiences with women.
Gilman conveys the woman's mental state through a variety of literary strategies. Personification, imagery, and similes are a few of these. Additionally, she employs terms with unfavorable meanings like fungus, destroy, and lurid. Gilman refers to the wallpaper most frequently in figurative language.
The wallpaper unmistakably stands in for the narrator's imprisoning structures of family, medicine, and tradition. Wallpaper is a lowly and domestic material, and Gilman deftly employs this nightmare-inducing paper as a representation of the household existence that ensnares so many women.
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