Answer:
Ang paggawa ng isang exhibit ay kinakailangan ng matinding pagpaplano at iba pang mga preparasyon. Maaaring gugulin nito ang halos lahat ng iyong oras.Tandaan na sa paggawa ng isang exhibit, ang pinakaimportanteng hakbang ay ang pagkakaroon ng tema o ideya kung tungkol saan ba ang iyong nais na ipabatid sa iyong exhibit.Kapag ikaw ay nakaisip na ng tema, siguradhin mong ang iyong ipapakita sa mga manonood o panauhin ay may kwento, kapupulutang aral, o anumang maaaring magpaantig sa kanilang mga puso.Ngunit kailangan mo ring tandaan na ang iyong exhibit ay dapat sumunod sa mga alitutuning ipapatupad ng lugar na pagdarausan nito.
Answer:
test me, glued, training wheels, bombs on monday, play date, lunchbox friends, copycat, fire drill, and recess
Explanation:
because yes
Answer:
B. diptych format from the icons of Christianity such as those found in the Byzantine church.
Explanation:
The name of this collection of images is in fact <em>Marilyn Diptych</em>, so you can be certain that B is the correct answer here. The Greek word diptych refers to something consisting of two parts, and was often used in Christian art and churches to refer to a painting in two parts that can close like a book.
Warhol was inspired by this type of art to create Marylin Diptych, which can now be found in the Tate Gallery in the UK.
Answer:
well since I love acting this is a good question for me ok so I would make a movie called my best friend and I cause mostly people fell in love with there best friends the story will be about a girl felling in love with her bestfriend and she does know the he like her back and yah like that and I would cast my bestie lucky and her bf cause like they use to be best friends and now there dating I would film it at the beach where they meet I would give myself a support role thank u.
Explanation:
Lighting has come to be an important component of cinema's visual design. It is widely recognized that in film, as elsewhere, it can create a substantial emotional impact. A primordial response to darkness and light is a deep-seated element of human psychology that filmmakershave harnessed in order to influence the ways viewers respond to narrativedevelopment. On the one hand, deep shadows can make a character seem untrustworthy or conceal a host of horrors. On the other, bright, diffused lighting can provide comfort and reassurance or create the impression of an angelic countenance. Extremely bright light can cause discomfort, though, and can even be used as a weapon, as inRear Window(1954) andThe Big Combo(1955), where it dazzles the villains and halts their advance.
Brightness is only one variable of lighting that can contribute to the effect of a scene. The choices the cinematographer makes about what kinds of lights will be used, how many there will be, and where they will be placed all require careful consideration. Moreover, color andblack-and-white cinematography each allows for different lighting effects. Colored lighting can give rise to a range of subjective impressions that may be systematically used throughout a film for atmosphere, as in the moody and heavily stylizedBatman(1989), or for metaphorical significance, as inVertigo(1958) when Scottie (James Stewart) persuades Judy (Kim Novak) to transform her appearance into that of the dead Madeleine (Novak). When she emerges from her bathroom made over into Madeleine's image, she is bathed in a green light, its supernatural associations accentuating theuncanniness of the resurrection of her alter ego.
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