For the non-believers category: Falling Rock, Spider, and Chaff.
For the wrath of God category: Storm, Bow, and Rough Wind.
"Sinners in the Hands of an Angry God" is a classic sermon of the Great Awakening. The aim of the narrative and language employed is to impose a sense of fear. It tries to make clear that hell in fact exists and all the suffering that awaits us if we refuse to confess our sins and be saved by God.
Hope this helps!
The correct answer is Sentence 9.
The sentence should be written: Sadly, even after that water is found, only some of it's clean and safe enough to drink.
We know an apostrophe should be placed here because we could also say: Sadly, even after that water is found, only some of it is clean and safe enough to drink.
Answer:
You put your name in the lottery, they mix it up so everyone has an equal chance to win. On they day they are supposed to announce a winner, they randomly draw a name and they win the lottery. You go to the place where your prize is and tada!!!! done.
Explanation:
The answer is a , she probably wants to perfect it for the talent show
1. First, Shakespeare wrote his plays in blank verse featuring iambic
pentameter because that was the style of the day. Think of it as a way
for an author to show off--and it really is quite impressive if one
thinks about it. There are very few authors who can create characters
and plots as rich as Shakespeare's and write their lines in a consistent
meter.
2. Secondly (I think that this might be what you are asking), when
Shakespeare's characters speak in verse (iambic pentameter), they are
usually the noble (aristocratic) characters, and their speech represents
their high culture and position in society. If you simply look at one
of Shakespeare's plays, you can often tell when the commoners are
speaking because their lines will go from margin to margin (this is
true, too, of nobles who are acting like commoners--whether they're
involved in evil schemes, losing their minds, or are drunk!). In
contrast, Shakespeare's other characters' lines should sound and look
different to you--they should sound "sing-songy" and should look like
poetry with uneven lengths.
A good example of this is from Othello. When Iago is speaking to his
peers or to those in position of authority over them, his speech is in
verse, but when he is plotting and talking to Roderigo (especially at
the play's beginning), his lines are not in iambic pentameter--this
represents the bawdy nature of his speech and, in truth, the baseness of
his character.
