Answer: 1. Fall Down
Explanation: In one world I've developed, the local surface gravity is slightly more than three times the surface gravity on Earth. Humans settled this world and were doing quite well through highly advanced technology. A series of disasters removed that technology and even the knowledge of that technology. More than 800 Earth-years later, civilization has started to regain a semblance of Western civilization on Earth.
Gravity introduces a lot of stress on structures and, with a gravitational factor like my world, may be the primary motivator in design. While I generally gloss over the specifics of cities and structures, I would like to know the following:
1. What are the best (known) building materials for a high-gravity environment?
2. What are the best architectural constructs for a high-gravity environment? (e.g., arches, peaked or flat roofs)
3. Considering the safety concerns and additional stressors, is ornamentation a viable feature for structures in a high-gravity environment?
Answer:
Attempt to represent subject matter truthfully, without artificiality and avoiding artistic conventions, or implausible, exotic, and supernatural elements.
Explanation:
It's simple superficially but it can be deep if looked at thoroughly.
Answer:
The Battle of Gettysburg was fought July 1–3, 1863, in and around the town of Gettysburg, Pennsylvania, by Union and Confederate forces during the American Civil War. The battle involved the largest number of casualties of the entire war and is often described as the war's turning point due to the Union's decisive victory and concurrence with the Siege of Vicksburg.[12][13] Union Maj. Gen. George Meade's Army of the Potomac defeated attacks by Confederate Gen. Robert E. Lee's Army of Northern Virginia, halting Lee's invasion of the North.
Answer:
B. reassembles the pieces of the object.
<h2>
How do analytic cubism and synthetic cubism differ?</h2>
Depending on the historian or theorist making this statement, there may be a difference. Yve-Alain Bois is the source I prefer to use for this. An item is dissected (analyzed) from multiple perspectives and then rendered in analytical cubism. In synthetic cubism, the objects being painted are either constructed, or they are placed in a secondary state. The distinction is based on synthetic cubism's increased usage of collage. In a sense, the methods become more important than the thing. Comparing instances will help to better convey this.
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