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Sindrei [870]
2 years ago
7

Who is more likely to say 'On, you can't trust them, they wouldn't even help a friend'?

English
1 answer:
lana66690 [7]2 years ago
8 0

The question above is one of about the psychology of trust.

According to psychologists, people who find it hard to trust others usually themselves can't be trusted.

Some of the signs that a person has trust issues are:

  • they make people seem like they are capable of exhibiting the very action that they are capable of: This entails accusing others of behaviors that they themselves are exhibiting or thinking of carrying out;

  • They breach confidentiality: It is easy to see from the comment that the person speaking is most likely prone to breach confidentiality. If a person has refused to help another, the question is, how is that related to whether or not they are trustworthy?

So a person who is more likely to say that you can't trust another person may themselves be unworthy of trust.

Read more about Trust here:

brainly.com/question/6014670

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Pixar’s filmmakers aren’t resistant to the thought that each one children’s films need morals. They’re just creative about what they teach their audience. Too many kid-accessible animated films spout generic, well-worn tropes: follow your dreams, believe yourself, you'll do anything if you are trying . But Pixar’s Inside Out stands up for sadness as a helpful emotion. Up teaches grade-schoolers that they’ll never be too old for adventures, even once their partners and their youthful dreams die. And in 2003, Finding Nemo became a $900 million box-office smash by scolding overprotective parents, encouraging kids to not let their folks’ nervous fussing hold them back, and gently suggesting that disabilities aren’t an equivalent as limitations.

The sequel, Finding Dory, doubles down thereon last idea with a whole story focused on dealing with disability and despair, couched within the usual Pixar antic adventure. Finding Nemo’s title character has one undersized fin and isn’t a robust swimmer, but adversity and a similarly fin-impaired model build his confidence. Similarly, Finding Dory features a character with a debilitating handicap who develops coping mechanisms, gets help where she will , forges ahead when help isn’t available, and succeeds on her own terms. In a way, this is often another “Believe in yourself and you'll do anything” story. But by refining and focusing that message, writer-director Andrew Stanton and co-director Angus MacLane make it far more relevant. Many kids won’t notice the message: Finding Dory doesn’t explain it in patronizing detail. But it’s likely to strike home for the viewers who most need it, and identify most closely with the story.

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Finding Dory is Andrew Stanton's return to writing and directing after the overly ambitious box-office disappointment John Carter. With this film, he's back on the comparatively safe ground of Pixar principles: an active celebrity cast, a fast-moving adventure filled with chases and jokey repartee, and a basic humanism that persists even when none of the many characters are human. Given the looseness of the plot — a one-thing-leads-to-another quest that periodically backtracks or goes in a circle — the load of the story is more on the characters than the plot developments. Stanton himself returns during a cameo because the whoa-dude surfer turtle Crush, Idris Elba and Dominic West voice a pair of helpful comedy-relief seals, and Kaitlin Olson (It's Always Sunny In Philadelphia) and Ty Burrell (Modern Family) play a nearsighted Rhincodon typus and an insecure beluga whale, respectively. But the film's breakout star is Hank (Ed O'Neill), a cranky seven-limbed octopus (technically, Dory says, he's a septopus) who helps Dory for selfish reasons. Like all Pixar's best grouchy old curmudgeons, he's filled with one-liners and hidden empathy. He's also, naturally, an escape artist and master of camouflage, because real-life octopi are awesome.

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