C) avoided. Avoid means to keep away from or stop away from doing (something). In this case the seal eluded or kept away from Amak.
Answer: D) People make decisions in order to protect their pride.
Explanation: In the given excerpt from "The Adventures of Robinson Crusoe" by Daniel Defoe, we can see Crusoe struggling about whether or not he should return home. He thinks that if he go home, his neighbours would laugh at him, and he would be ashamed. From the given options, the statement that represents the theme of the passage is that people make decisions in order to protect their pride.
Answer: individual vs self
Explanation: (thAts all I know at this moment)
Commons
“How did Faulkner pull it off?” is a question many a fledgling writer has asked themselves while struggling through a period of apprenticeship like that novelist John Barth describes in his 1999 talk "My Faulkner." Barth “reorchestrated” his literary heroes, he says, “in search of my writerly self... downloading my innumerable predecessors as only an insatiable green apprentice can.” Surely a great many writers can relate when Barth says, “it was Faulkner at his most involuted and incantatory who most enchanted me.” For many a writer, the Faulknerian sentence is an irresistible labyrinth. His syntax has a way of weaving itself into the unconscious, emerging as fair to middling imitation.
While studying at Johns Hopkins University, Barth found himself writing about his native Eastern Shore Maryland in a pastiche style of “middle Faulkner and late Joyce.” He may have won some praise from a visiting young William Styron, “but the finished opus didn’t fly—for one thing, because Faulkner intimately knew his Snopses and Compsons and Sartorises, as I did not know my made-up denizens of the Maryland marsh.” The advice to write only what you know may not be worth much as a universal commandment. But studying the way that Faulkner wrote when he turned to the subjects he knew best provides an object lesson on how powerful a literary resource intimacy can be
<span>It has a negative implication, since it proposes that the reasons used to expel the issue were not important. "The Trapped Housewife" is an expression talked about in Betty Friedan's book, "The Feminine Mystique". She discusses the issue numerous ladies looked in the 1960's tied in with being miserable with their lives at home and subsequent to perusing half of the book, I'm starting to see parallels of these issues that still holds on in show day.</span>
