Answer:
John demanded " I don’t want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin".
Mustapha Mond suggests he's claiming "the right to be unhappy".
Explanation:
Aldoux Huxley's <em>Brave New World</em> is set in a dystopian world where the off-springs of the people were genetically engineered and already classed into their predestined castes from birth. The setting of the story is in the year 2540 AD, and deals with the theme of science and efficiency, away from humanistic emotions and feelings.
In chapter 17, John, the son of Linda and the Director of the Hatchery and Bernard Marx along with Helmholtz Watson are exiled for causing a scandal in the society. When told about how everything has been engineered to be comfortable for the people, John demands that he did not <em>"want comfort [but rather] God, poetry, real danger, freedom, goodness [and] sin"</em>.
At this, Mustapha Mond, the "<em>Resident World Controller for Western Europe</em>" suggests that John is claiming<em> "the right to be unhappy"</em>, for everything that he's just demanded is against the way of their scientifically engineered world. And with his demand, he's claiming all the ills of human life that the<em> "New World"</em> is offering.
The correct answer to this open question is the following.
In lines 68-74, Kotlowitz provides new evidence in his article. How does the shift to statistics add to the point he is making regarding violence.
We are referring to the article "Blocking the Transmission of Violence," written by Alex Kotlowitz on May 4, 2008, that appeared in the renowned "The New York Times Magazine."
In those above-mentioned lines, the author provides some evidence through statistics and numbers. He intended to demonstrate to his readers that violence and crime in some cities in the United States have increased. He refers to cities such as New York City. Philadelphia, Milwaukee, and Oakland, and the rate of murders of African American that has increased in the country.
Answer:
Women are underrepresented in the film industry, the experiences or opinions of females in film, award winning (successful) female comedies films, actors, directors, and producers, and Females in the film industries creating funnier, more relatable shows movies and characters.
Explanation:
Most information provided by the article will fit into one of these categories.