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1. Alfred Eisenstaedt, (born December 6, 1898, Dirschau, West Prussia [now Tczew, Poland]—died August 23, 1995, Oak Bluffs, Massachusetts, U.S.), pioneering German-American photojournalist whose images, many of them for Life magazine, established him as one of the first and most important photojournalists.
2. he went to school at Humboldt University of Berlin.
3.
Born in Dirschau, West Prussia (now Tczew, Poland), Eisenstaedt was the pre-eminent photojournalist of his time, whose pioneering images for Life magazine helped define American photojournalism. ... Another of his best-known images shows Joseph Goebbels, the Nazi propaganda minister, in 1933, glaring at the camera.
4.
Eisenstaedt was born in Dirschau (Tczew) in West Prussia, Imperial Germany in 1898. His family moved to Berlin in 1906. Eisenstaedt was fascinated by photography from his youth and began taking pictures at age 14 when he was given his first camera, an Eastman Kodak Folding Camera with roll film.
5. he won National Medal of Arts
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Answer:
The Scream, painted by Edward Munch, has become a cliché because it has been trivialized in ads and cartoons. The Scream, painted by Edward Munch, has become a cliché because it has been trivialized in ads and cartoons.
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Answer:
The rhythmic approach in a recitative is best described as
Flexible and free.
Explanation:
Rhythm is "an ordered recurrent alternation of strong and weak elements in the flow of sound and silence in speech," according to Merriam-Webster online dictionary, which describes the accent, meter, and tempo of the voice.
A recitative is a narrative that describes the action, thought, or emotion in an opera, oratorio, cantata, or other multi-movement vocal compositions, usually following the natural flow of the language. It is a speaking composition and therefore free and flexible rather than strict and fast.
In an opera, oratorio, cantata, or other multi-movement vocal compositions, a recitative is a narrative song that describes some action, thought, or emotion. The recitative follows the natural flow of the language and is more of a speaking composition than a singing composition.
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