7.It is a feeling of equality in weight, attention, or attraction of the various visual elements within the pictorial field as a
means of accomplishing organic unity. * A. harmony
B. balance
C. emphasis
D. proportion
8.It is the comparison of dimensions or distribution of forms. It is the relationship in scale between one element and another, or between a whole object and one of its parts. *
A. harmony
B. balance
C. emphasis
D. proportion
9.It contributes to organic unity by emphasizing the fact that there is one main feature and that other elements are subordinate to it. *
A. rhythm
B. variety
C. emphasis
D. proportion
10.It is the complement to unity and harmony and is needed to create visual interest. Without unity and harmony, an image is chaotic and “unreadable;” without variety it is dull and uninteresting. *
A. rhythm
B. variety
C. emphasis
D. proportion
11.It is the path our eyes follow when we look at a work of art, and it is generally very important to keep a viewer’s eyes engaged in the work. *
A. rhythm
B. variety
C. movement
D. proportion
12.A continuance, a flow, or a feeling of movement achieved by the repetition of regulated visual information. *
A. rhythm
B. variety
C. emphasis
D. proportion
13.A word translating to rebirth which was marked by a revival of classical learning and wisdom. *
Griffin says that photographers “tap into something” when connecting to the viewer. This something is the viewer’s imagination. I think I have learned this because photography is being able to express what you want to express by capturing images that require you to use the techniques you know and the imagination of the viewers. In photography, you are creating an artifact that involves the viewer.
