The Balinese production of The Tempestuses shadow puppetry to display an interpretation of William Shakespeare’s famous work. This alternative form of performance focuses more on the fluidity, or sharpness, of the characters’ movement. When analyzing Ariel in this form, it is very apparent that her actions are very projected compared to other characters, by the excess movement of her arms and fingers. However, this projection is shown not with velocity in motion, but with a very smooth complexion in Ariel’s movement. This emphasizes the fragility of her character by connecting her to something very easily tampered with, like the smoothness of still water, that changes with something even as soft as a breeze. The Balinese play also uses the clever technique of utilizing their lighting as a form of portraying Ariel’s character, by physically moving the actor towards and away from the light in order to change the size of the shadow shown. This was well utilized by not only Ariel, but the entire Balinese cast. When Prospero manipulates Ariel into believing that her deed was an act of gratitude for releasing her from her imprisonment, the cast makes Prospero noticeably larger in size and Ariel noticeably smaller. This adds dynamic contrast to the characters and allows the audience to view Ariel as much more timid and frail, as well as Prospero much scarier and evil.
A functional text is a text to fulfill a certain function, such as instruction manual or description of getting somewhere. A dialogue would be too confusing and redundant for this purpose; the best functional text would simply describe the information it needs to provide in a clear manner.
Answer:
Subject
Explanation:
Twain's The adventure of Huckleberry Finn is the excerpt which is about loyalty and friendship between two persons. The subject of the excerpt helps the readers to identify the theme. The subject helps audience to understand the theme of friendship and loyalty.
Answer: about 19-16 hours a day, now multiply that by 365 there ya go
Explanation: