The answer to the question is B. rage
The change in Dravot and Carnehan's relationship from beginning to the end of the story is that they were very good friends but later their friendship begins to fall apart.
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Explanation:</u></h3>
Daniel Dravot and Peachy Carnehan were two adventurers who wanted to become kings of Kafiristan. They were really close friends in the beginning of the story but as the story progresses, the friendship they share starts to diminish. The catalyst for the change was Dravot becoming corrupt with each passing time.
Initially, the men had decided to rule together. As the Englishmen do, they wanted to have an empire of their own. They had a written agreement between them that they would abstain from alcohol and women. It would help them concentrate better on the empire they were about to build. But later after they succeed in capturing an empire, Dravot went corrupt and wanted to have a woman in his life and wanted a royal lineage of his own. Moreover, he started acting as if he alone was the king, completely avoiding Carnehan. People started treating him as a God.
The poems “We Real Cool” and “The Negro Speaks of Rivers” use a viewpoint that is unusual in this unit. The unusual viewpoint is this: Both Brooks and Hughes are calling for a change in the lives and attitudes of their fellow African-Americans - and they have to do it. These types of positive pieces of art might well have been essential pieces to unite the black community in the call for civil rights.
Explanation:
In this literary composition, the perspective is that of a Black person who claims his race and takes pride in its heritage. Hughes himself wrote that he boarded a train and looked out the window at the massive, muddy river. As he watched, Hughes mirrored upon the tragic history of slaves being sold-out down this mighty stream, he recalled the opposite rivers of blacks' history: the Congo, the Niger, and also the Nile. "I've understood rivers," he then thought. His literary composition has the perspective of the soul of the Negro; that's, a racial soul that courses throughout time. victimization the primary person closed-class word "I," Hughes writes of the historical association of the Negro likewise because of the non-secular expertise nonheritable because the speaker connects to the 3 African rivers in associate extended metaphor: