B. reinforce, in a clever way, his message of the benefits of using daylight instead of candlelight.
The best summary of paragraph 2 is: "Gregor knows by the reality surrounding him that he has become a bug" (C).
Paragraph 2 is a description of the character's surroundings.
Through Gregor Samsa's eyes, the reader is given a look around the bedroom as Samsa is looking around him to try to find an anchor to reality: "It wasn't a dream;" "a proper human room." His reasoning is probably that if this metamorphosis was all a dream, his room would not look exactly like it was in real life. Yet, because the depiction of the room is so precise, with many details (like the textile samples on the table and the very specific description of the magazine cut-out), Samsa reaches the conclusion that this might be real.
The theater of absurd refers to the plays written primarily by European playwrights post world war II. The works in the theater of absurd focused mainly on an idea of existentialism and describe how communication breaks down when the human existence has no meaning. It paves way for illogical and irrational speech and its conclusion to silence.
People in the play are presented as bewildered beings in the complex universe. For instance in the play "Waiting for Godot" the characters wait for Godot who never arrives and sit and talk about nothing particular.
Therefore, what is not typically present in the works of the theater of the absurd is recognizable characters.
Jenna Starts with: 50 cards
Max Starts with: 20 cards
Max gives 16 cards to Jenna
Jenna Ends with: 50 + 16 = 66 cards
Max Ends with: 20 - 16 = 4 cards
Jenna ends with more cards
