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My favorite is nemo, this setting is important because it is the whole purpose of the movie. Nemo takes place in the ocean who is a clownfish in his anemone with his dad. The tragic story starts off by the a fish eating his mom and her babies after trying to protect them from the fish. But only one fish was saved and that fish was nemo. Just because of that accident of him only surviving and his dad having to take care of him in their anemone nemo has a little fin which smaller than his normal fin. Since that fin is smaller is effects the way he swims but not too bad to the point where he can’t do anything. Nemo first day of school begins a few spaces away from where he lives. The whole ocean is waiting at school which was at the corals such as fish, octopus, sea horses, turtles, and etc. Their teacher who was sting ray was what we would call a school bus/teacher who let them ride on his back as they learned about everything around them such as different fish or different reefs with songs so they could remember it better. In conclusion this movie contributes to all of ocean and without the setting being in the ocean with space it would not have been that good
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leave ,will not support,port,..
Answer: A. a highly principled lady
hope this helps
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easy here
Explanation:
“The Indian Burying Ground” is a short lyric poem of forty lines celebrating the spirits of Native Americans haunting their sequestered graves in the North American wilderness. It is an early American example of the Romantic movement in Western literature. Although its elegiac subject matter harks back to the eighteenth century British school of “graveyard” poetry, Philip Freneau adds a Romantic twist to the sepulchral theme of human mortality. This writer displays a Gothic fascination with supernatural phenomena and moonlit scenes of fancy, a primitivistic attention to unspoiled natives and pristine nature, a nostalgia for a legendary past, and an interest in the spellbinding powers of the imagination (or “fancy”) as superior to the reason of the European Enlightenment. In lyric form and fanciful poetic theme, Freneau bears close comparison to William Collins in eighteenth century England.The poem opens with a primitivistic speaker in the guise of a common man challenging civilized burial customs, which betray what a culture thinks of the state of death. When civilized culture demands burying a corpse in a prone position, death is seen as an eternal sleep for the soul.
If readers consider not the European past but the antiquity of the New World, however, they contemplate America’s primordial race of Indians, whose sitting posture in their graves suggests that their souls actively continue the simple pursuits of their former mortal lives, as depicted on their pottery and as indicated by their weapons. For example, an Indian arrowhead, or “head of stone,” symbolizes the opposite of a European headstone—namely, the enduring vitality of the dead person’s spirit, unlike the cold, engraved memorial for a dead white man
