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It creates sympathy for Mitty since readers recognize that his fantasies show how he'd like to be, not how he actually is.
It builds suspense in the story, as each of Mitty's fantasies places him in more and more danger in reality.
It injects tension in the story, as readers wait to see whether Mitty's wife will realize that her husband is unhappy.
It adds humor to the story, since Mitty acts out all of his fantasies among people who have no idea what he's doing.
Answer:
It creates sympathy for Mitty since readers recognize that his fantasies show how he'd like to be, not how he actually is.
Explanation:
"The Secret Life of Walter Mitty" that tells the story of Mitty, who is a man who disconnects himself from the reality in which he lives, constantly, and finds himself trapped in heroic daydreams totally outside the reality in which he is inserted. Although this is not valued by the characters in the book, it does create an empathy between the bed and Mitty. This is because the reader understands that Mitty's daydreams are a reflection of his dissatisfaction with the real world, thus, the daydreams he presents, are a vision of what he wanted to be.
I would say the story structure is driven by the very competitive personality’s in the story’s,i also see that many people/persons in the story are very hard working and decatied to what their doing in life!
Explanation:
hope this helps!
Answer to Question 1: Hamlet becomes increasingly furious with both himself and whoever harmed those who he cared about. A visceral sentiment of vengeance consumes him as he realizes his mind won't be at peace if he simply stands around fearfully inside his aristocratic eggshell, and the sentiment won't snuff out until the ones responsible for his anger are punished.
Answer to Question 2: Hamlet believes he will become a beast if he gives himself into an avenging wrath, but it does not matter to him as long as his grieving thoughts are cleansed. Ignoring the incident would simply preserve his plight.
Answer to Question 3: The audience should feel compasion for the man in duel, and be afraid that a good man who's well aware of his own thoughts and conclusions - a man that has lost nearly everything - gave into the rage.
Director's notes on Proper Soliloquies.
An actor who aims to perform a soliloquy must look around their environment, focus on a significant element of the scene, and procced to describe with detail how the sight makes them feel - repeat the process with the rest of the scene -. The actor should change the tone of their voice between the lines depending on the current feeling of their character; shouting it all should not be neccesary and might be considered exaggerated.