The correct answer to
this question is that:
“The realist artists wanted the viewer to see
that real life was like for so many, rather than just the life of the wealthy.”
<span>What we usually see
depicted in art are the treasures and luxurious life of the rich. To see the
other side of the coin, realists want us to realize that life is not just about
joy and pleasure, some of our brothers and sisters are suffering in poverty.</span>
she developed her own style with <u><em>spare simplicity </em></u>
Answer: War is a terrible thing. Yet the cadence of troops marching through the streets, the ringing sound of national airs, the flapping of proudly hoisted flags, and, in more modern times, the swoosh of aircraft racing overhead typically send hearts pounding and aspirations soaring. Inevitably, it is in the period following the cessation of hostilities, in times of so-called peace, that the initially envisioned mission becomes increasingly difficult to identify. An awareness of the cohorts of war surfaces even more gradually, and only in recent decades has the study of the Great War of 1914–1918 moved beyond politics.
Axis of action in Continuity editing the imaginary line that passes to and fro through the principle actors defining the spatial family members of the scene. The digital camera isn't imagined to go the axis at a reduce and reverse the spatial family members. guarantees consistent display screen space and constant screen path.
The imaginary line allows viewers to orient themselves with the placement and course of motion in a scene. If a shot following an in advance shot in a sequence is located on the alternative side of the 180-degree line, then it's miles referred to as a reverse cut.
The Axis is an imaginary line that extends in the direction of the difficulty. while the camera is on one side of the axis the problem's direction is a positive way. however while the camera crosses the axis the subject's direction, relative to the digital camera changes
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