In The Glass Menagerie, even though the Wingfields live in a run-down apartment in the city, Amanda is concerned about being pro
per and keeping up appearances. Which detail from the play best supports this inference?
A. AMANDA: "I took that horrible novel back to the library-yes! That hideous book by that insane Mr. Lawrence. [Tom laughs wildly.] I cannot control the output of diseased minds or people who cater to them -[Tom laughs still more wildly.] BUT I WON'T ALLOW SUCH FILTH BROUGHT INTO MY HOUSE! NO, no, no, no, no!"
B. AMANDA: "We can't have a gentleman caller in a pigsty! All my wedding silver has to be polished, the monogrammed table linen ought to be laundered!"
C. AMANDA: "Do you realize he's the first young man we've introduced to your sister? It's terrible, dreadful, disgraceful that poor little sister has never received a single gentleman caller."
D. LAURA [shakily]: "How was the DAR. meeting? [AMANDA slowly opens her purse and removes a dainty white handkerchief which she shakes out delicately and delicately touches to her lips and nostrils.] Didn't you go to the DAR. meeting, Mother?"
Counterbalanced designs allow the researcher to isolate the main effects due to condition and control for order and sequence effects only if there is no interaction between the procedural variables and the independent variables.
