Answer:
‘Georges de La Tour’ Review: An Artist Veiled in Shadow is the name of the image.
After painting images of human folly, La Tour turned to the deeply spiritual
"While artists’ reputations can sometimes decline after their deaths, rare is the case of someone falling into total obscurity. Yet such was the fate of Georges de La Tour (1593-1652), who found fame and fortune in life, but who upon his death was quickly forgotten. So total was the oblivion that surviving works were often attributed to other artists, including one in the Prado, originally thought to have been painted by Francisco de Zurbarán. La Tour was not rediscovered until 1915, when a German academic with a penchant for working in the byways of art history published an article on the artist, laying the foundation for future scholarship.
The Prado’s retrospective, organized by the museum’s Andrés Ubeda and the Louvre’s Dimitri Salmon, brings together about 30 of the roughly 40 paintings securely attributed to La Tour. While richly satisfying in its career overview and the array of masterpieces it provides, the show leaves one more curious about the artist than ever before."
I found the image after reverse searching, hope this helped a bit.
Mannerism (from “maniera” in Italian) was a style in
European art that emerged in the later years of Renaissance at the 16th century
in Italy. Mannerism was the reaction to the harmonious ideas of Renaissance and
artist such as Leonardo da Vinci, Raphael and Michelangelo, which is why the
subjects in Mannerism were presented with exaggerated ideal qualities, often
resulting in compositions that are asymmetrical or unnaturally elegant.
A site specific sculpture is __________________
anwser-(D)
a sculpture that has a relationship with its surrounding.
The answer would be A. <span>a group of techniques designed to release art from conscious control</span>
