<h2>These six words were written by Ernest Hemingway, Arthur C. Clarke, or The Spokane Press doesn’t really matter. It’s a premier example of everything fiction’s shortest form can do.</h2>
<h2>In a world of novels, essays, and short stories, flash fiction is underdog prose. Scarcely discussed and often poorly defined, it becomes that much more exciting, edgy, and experimental. Twist endings and sudden violence are hallmarks of the form, where just six words can allude to the tragic death of a child.</h2>
<h2>Flash fiction is dangerous — it asks the writer to surrender all safety nets and let a mere smattering of sentences speak for themselves. But it can also be extremely rewarding, if done right. Before we get into that, however, let’s gauge what it actually is.</h2>
<h2>Mark me as brainliest ❤️</h2>
Answer:
The dramaturgical perspective was developed primarily by Erving Goffman, who used a theatrical metaphor of stage, actors, and audience to observe and analyze the intricacies of social interaction.
Explanation:
Answer:
It separates the subject from the predicate.
