Well it is not A, though the Eden like backdrop of the island is suppose to help prove that violence is not societal born it's in us all, but I'm thinking it is D. Hope this helps
This question seems to be incomplete. However, there is enough information to find the right answer.
Answer:
Both the trees and Esperanza have "skinny necks and pointy elbows", and both don´t belong where they are. The trees should grow in nature, not in a city. Similarly, Esperanza feels like she doesn´t belong in the neighborhood. Furthermore, the resilience of those trees that "grew despite concrete" symbolizes Esperanza´s resilience to persevere notwithstanding the impediments imposed by her being poor.
Explanation:
The question refers to the section Four Skinny Trees from the book “The House on Mango Street,” by Sandra Cisneros.
There, the four trees found in her front yard symbolize Esperanza´s experience of feeling like an outsider and wanting to reach out for something else.
Answer: Markus Andersen
Deep within the rich blacks and glaring shafts of light, we find the city of Sydney as an abstracted backdrop for fragile human presence, a chaotic stage of ceaseless development and consumerism, tempered by the photographer’s intimate touch.
Explanation:
The answer would be both since you would have to explain what both have in common.
I hope that helped :)
There are many times when American Colonists and Great Britain faced stressed relations before the American Revolution.
One of them, for example, was when Britain sent troops to America to ensure that their laws and regulations were followed. However, Britain sent ONE soldier to every FOUR citizens, making the area fill up fast. Therefore, Britain passed the Quartering Acts, In which the British Soldiers were sent to live in the homes of the colonists, simply because there were so many of them and not enough places for Britain to let them stay.