<span>In his ability to offend society as he did with his painting The Stonebreakers, Courbet can be compared to D. Caravaggio.
He was famous for criticizing society through his artwork, which is similar to what Courbet did years after him.</span>
Answer: B
Explanation: definition of propaganda jus worded different
Cezar was afraid his new condominium would look shabby to his future in-laws, so he had it painted just before their visit. Cezar was addressing his <u>social</u> risk.
Ignoring social risk factors can have a significant negative impact on an organization's reputation and operations. In the absence of mitigation plans, these organizations can suffer from bad publicity, consumer boycotts, and other adverse effects.
This risk can be defined as exposure to adverse effects resulting from population-related activities or negative public perceptions. In other words, the social risk is a manifestation of what is happening around us and is caused by the influence within each of us (beliefs, emotions, mental health, fears, concerns).
Social risk factors are defined as adverse social conditions associated with poor health, such as food insecurity and unstable housing.
Learn more about social risk. here: brainly.com/question/26072214
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Answer: Hope this helps!
Explanation:
"Energy is about how the movement happens. Choices about energy include variations in movement flow and the use of force, tension, and weight. An arm gesture might be free flowing or easily stopped, and it may be powerful or gentle, tight or loose, heavy or light. A dancer may step into an arabesque position with a sharp, percussive attack or with light, flowing ease. Energy may change in an instant, and several types of energy may be concurrently in play.
Saying that a dance "has a lot of energy" is misleading. ALL dances use the element of energy, though in some instances it may be slow, supple, indirect energy - not the punchy, high speed energy of a fast tempo dance.
Energy choices may also reveal emotional states. For example, a powerful push might be aggressive or playfully boisterous depending on the intent and situation.
Some types of energy can be easily expressed in words, others spring from the movement itself and are difficult to label with language. Sometimes differences in the use of energy are easy to perceive; other times these differences can be quite subtle and ambiguous. Perhaps more so than the other elements, energy taps into the nonverbal yet deeply communicative realm of dance. "