Answer:
D.) The stanzas are roughly the same size.
Explanation:
The stanzas are each group of verses that the poem represents is similar to a paragraph of prose writing. The poem shown in the question above has four stanzas where most have four or five verses in their composition, which makes the stanzas in this poem basically the same size.
In addition, the poem is written in free verses which indicates that it has no rhyme, so it does not have an ABAB rhyme scheme. The language of the poem is, in fact, cultured, but it is not complex and the poem does not have iambic pentameter.
Answer:
Or July 21, 1969 and from the point of view of Neil Armstrong himself as he walked on the moon.
Or maybe I’d be Abraham Lincoln on the day he delivered the Gettysburg Address. We all practiced that speech in school, so how awesome would it be to actually give it!
Or I could be a visitor to the Roman Senate on the Ides of March. Begin the day by exploring ancient Rome and then end it by watching one of the most important assassinations in the history of the world. Popcorn optional.
I think part of the rule has to be that you can’t meaningfully interfere with what happened on that day — otherwise we’d probably all be morally compelled to go back in time and kill Hitler circa 1929.
_________
I’m going to make two adjustments:
1) I’ll add a follow-up question about which date you’d pick in the future. So let’s say this: You have a time machine that allows you to enter a specific date and location, and you’re taken then/there for one day (it teleports you to the location too). You arrive at 6am and 18 hours later, at midnight, you’re safely returned to the present day in your home. It can be used once to bring you to the past and once to the future. Then it disappears.
2) I like the idea of actually being in the eyes of a person in history, but let’s say you can also choose to just be you plopped down there if you want to.
A couple other notes:
Explanation:
MORE POWER
The answer is: Impersonating and remaining silent.
In the passage, the narrator describes Tom Stoppard's play "Rosencrantz and Guildenstern Are Dead." Both originally Shakespearean characters from "Hamlet," Stoppard develops them further in their own play, in which they "pass the time by impersonating other characters" and "remaining silent for long periods of time."