Question
aman won $114000000 in lottery. Express this amount in (a) gigadollars
(b) tetradollars
Answer:
$114000000 = 0.114 (a) gigadollars
$114000000 = 1.14*10 raised to negative 4 teradollars
Answer:
Explanation:Understanding a film is knowing its storyline, while explaining a film is being able to analyze the underlying meaning behind the storyline and exploring the different perspectives of looking at different ways producers displayed and chose the scenes. Films that attract audiences are usually the ones that requires our brain to think and figure out. For example, the film “Inception” became very popular because the storyline ‘played’ with our brain. Being able to infiltrate the subconsciousness of somebody and to implant a person’s idea into a target’s subconsciousness, is a totally new concept to the audience. It brought about a lot of questions, resulting in vast amounts of discussions. It was an easy film to understand; however a difficult film to explain.
Answer:
in picture 1 it appears that it is of a woman and the washington monument. pic. 2 is of a woman in red, in front of a large garage. Pic 1 subject is the woman and the monument. pic 2 is of the woman and the building. pic 1 context was that i am assuming is the distance and how the two objects contrast and pic 2 is the red against the neutral color.
Explanation:
hope this is what you were asking for<3<3<3
Though never a coherent group, Realism is recognized as the first modern movement in art, which rejected traditional forms of art, literature, and social organization as outmoded in the wake of the Enlightenment and the Industrial Revolution. Beginning in France in the 1840s, Realism revolutionized painting, expanding conceptions of what constituted art. Working in a chaotic era marked by revolution and widespread social change, Realist painters replaced the idealistic images and literary conceits of traditional art with real-life events, giving the margins of society similar weight to grand history paintings and allegories. Their choice to bring everyday life into their canvases was an early manifestation of the avant-garde desire to merge art and life, and their rejection of pictorial techniques, like perspective, prefigured the many 20th-century definitions and redefinitions of modernism.
