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DanielleElmas [232]
3 years ago
7

1. His style incorporated cubism, simulated motion, and fragmented lines and shapes movement and speed 2. He wrote Technical Man

ifesto of Futuristic Painting. Suprematist 3. Italian Futurists were fascinated with __________. human 4. Boccioni was interested not in construction of the body but construction of the ______ of the body. red 5. The work of the Futurists was a manifestation of ____________. the past 6. Marinetti, the founder of Futurism, hated ________. war 7. One of their major themes was ___________. authoritarian politics 8. White on White was the pinnacle of the __________ movement. object 9. Kasimir Malevich’s famous 1915 painting of a square was the color _________. action 10. Malevich believed his colored shapes could convey the awe of ________ experience. Boccioni 11. Malevich said that the _________ was not important in art. Severini 12. Malevich believed that the only thing that mattered was _____________ feeling. religious
Arts
1 answer:
emmainna [20.7K]3 years ago
7 0
 1) Italian Futurists were fascinated with politics. 
2) Boccioni was interested not in construction of the body but construction of the action of the body. 
3) The work of the Futurists was a manifestation of authoritarian politics. 
4) Marinetti, the founder of Futurism, hated the past. 
5)  One of their major themes was movement and speed. 
6) White on White was the pinnacle of the suprematist movement.7) Kasimir Malevich’s famous 1915 painting of a square was the color black. Black Square is considered to be the iconic work of Kasimir Malevich.
8) Malevich believed his colored shapes could convey the awe of religious experience. 
9) Malevich said that the War was not important in art. Even though the suprematist movement as introduced during the First World War, Makevich thought that war affects people in bad ways while art can affect people only in good ways. 
10) Malevich believed that the only thing that mattered was object feeling. 
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Linguistic, anthropological and archaeological studies affirm that our ancestors bequeathed us their first ideas and impressions about writing, through pictorial manifestations that were a way of seeing and understanding the world.

Cave paintings, therefore, directly express a meaning without intervening a linguistic form.

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