Answer:
According to both stories, most people who go rich suddenly are often plagued with bad decisions that leave them impoverished and in most cases in a worse state (financially, mentally, relationally and healthwise) than they were before the wealth.
Explanation:
of Baba Abdalla, he had grown his wealth steadily and lost it to an Ascetic. An Ascetic is someone who is committed to living a plebian life whilst doing good deeds.
Something had shifted in the Ascetics mind upon observation of Baba's wealth. The Ascetic who was known for good deeds decided to trick Baba. Baba trusting in the goodness of the Ascetic and not believing him to be a greedy character went along with same until he became poor and blind in one eye.
In the articles about Lottery winners who go bankrupt, the story is not too different. There is a case for instance about a woman who won over a million dollars. She divorced her husband soon as she learnt of the win. Her ex-husband later came to the knowledge of the win, filed a countersuit and was adjudged to take ownership of all the winnings. The court's decision was based on the fact that the woman had violated the laws relating to disclosure of assets. The woman ended badly due to greed.
Cheers
Many people in Twelfth Night assume a disguise of one kind or another. The most obvious example is Viola, who puts on the clothing of a man and makes everyone believe that she is a male. This disguise causes great sexual confusion, as a bizarre love triangle results in which Viola is in love with Orsino, who loves Olivia—who loves Cesario, the male identity that Viola assumes. Thus, by dressing his protagonist in male garments, Shakespeare shows how malleable and self-delusional human romantic attraction can be.
Another character in disguise is Malvolio, who dresses oddly (in crossed garters and yellow stockings) in the hope of winning Olivia. In his case, the change of clothing suggests his belief that altering his wardrobe can lead to an alteration of his social status. When he dreams of being Olivia’s husband, he imagines himself above all in a different set of clothes, suggesting that class and clothing are inextricably linked. Later, after Malvolio has been declared mad and has been confined to a dark room, Feste, pretending to be the fictional priest Sir Topas in order to deceive Malvolio, puts on a disguise—even though Malvolio will not be able to see him since the room is so dark. This scene is particularly suggestive: Feste’s desire to wear a disguise even though his victim won’t see it implies that the link between clothes and reality goes deeper than mere appearances. For Feste, at least, the disguise makes the man—in order to be Sir Topas, he must look like Sir Topas. Ultimately, then, Shakespeare raises questions about human identity and whether such classifications as gender and class status are fixed entities or can be changed with a simple shift of wardrobe.
<span>A. He outlines a clear purpose in the speech. Faulkner is known for his "stream-of-consciousness" technique. This technique involves the author writing as if he is the character, rather than writing what the character is doing from an outside point of view. His style was straight forward and enabled the reader to visualize his passages.</span>
It has one line of symmetry which runs right down the middle of it.
Hope this helps.
