Answer:
Interestingly, many French maps showed zero degrees in Paris for many years despite the International Meridian Conference’s outcomes in 1884. GMT was the universal reference standard – all other times being stated as so many hours ahead or behind it – but the French continued to treat Paris as the prime meridian until 1911. Even so, the French defined their civil time as Paris Mean Time minus 9 minutes and 21 seconds. In other words, this was the same time as GMT.
In 1972, Coordinated Universal Time (UTC) replaced GMT as the world's time standard. France did not formally use UTC as a reference to its standard time zone (UTC+1) until August in 1978.
Standard time, in terms of time zones, was not established in United States law until the Act of March 19, 1918. The act also established daylight saving time in the nation. Daylight saving time was repealed in 1919, but standard time in time zones remained in law, with the Interstate Commerce Commission (ICC) having the authority over time zone boundaries.
Many countries started using hourly time zones by the late 1920s. Many nations today use standard time zones, but some places use 30 or 45 minute deviations from standard time. Some countries such as China use a single time zone even though their territory extends beyond the 15 degrees of longitude.
<u>ANSWER:</u>
To give all Mongolians access to the Internet, the government plans to use wireless technology.
<u>EXPLANATION:</u>
- Wireless technology here defined the gadgets which can be worked in a wire free environment. It is a gadget which are free from wires.
- With the help of wireless devices people will be able to connect from one place to another.
- These wireless technology works through waves which are RF and IR waves. Three section of Wireless connections are WAN, LAN PAN.
He took all power, kept control of nobles, divided China into districts ruled by appointed officials, and organized a tax system.
Just before 1500, Italian amateur actors were performing classical comedies on stages with no decoration except for a row of curtained booths. By 1589, complex painted scenery and scene changes were being featured in production in Florence. And by 1650, Italy had developed staging practices that would dominate European theatre for the next 150 years.
In the beginning of the Renaissance, there were two distinct kinds of theatrical productions. The first was of the type presented by the humanist Julius Laetus at the Accademia Romana, a semisecret society he founded in the mid-15th century for the purpose of reviving classical ideals. In terms of staging, several medieval-type mansions were clustered to form a single large unit. There were, however, two elements not found previously. One was that the mansions were probably framed by decorative columns. This was the first movement toward the framework that would develop into the proscenium arch—the arch that encloses the curtain and frames the stage from the viewpoint of the audience. (The first permanent proscenium was built in the Teatro Farnese at Parma, Italy, in 1618–19, a temporary one having been constructed by Francesco Salviati 50 years earlier.) The second innovation was that the mansions, by being linked, were treated as components of a general city street. In 1508 at Ferrara a background painted according to the rules of perspective was substituted for the mansions; the scene included houses, churches, towers, and gardens.
