Advanced Composition' and Occasion-Sensitivity Further, people read for two reasons: entertainment or information. [ A writer who confuses, bores, or threatens the reader, "has lost that reader, usually for good." Earlier, Donald Murray's indispensable A Writer Teaches Writing (1968) focuses firmly on the target-audience. So writers, and now textbooks, embrace this pragmatism. Do the nation's writing classrooms, secondary and even collegiate, follow suit? Quite possibly not, which may suggest that advanced composition may often have a mandate to emphasize sensitivity to occasion as the keystone skill in real-world writing which it in fact is. My own foray into freelance writing in particular?77 articles in five years, but not without initial stumbles?taught me that real-world writing in general is varied, difficult, possible, necessary, satisfying. I now feel obligated to impart some of this perspective to my advanced writing students especially. ]
I've answered a question exactly like this before... what are the odds!
Gregor didn't seem to surprised , the text explicitly states. "How about if I sleep a little bit longer and forget all this nonsense." Meaning that he wasn't to worried about the transformation. The only time he did act surprised was when he answered his mom after she knocked on the door, " <span>Gregor was shocked when he heard his own voice answering, it could hardly be recognized as the voice he had had before." That's why I feel like Gregor was maybe even used to being transformed, because he did not act very worried, or surprised. </span>
Answer:
The elephant got angry....and just snapped his trunk into the car....the man bravely came out of the jeep and stuck himself on the corner
the car is slightly tilted
hats off to the driver still driving
haha
funny tho
