Answer:
Fear in Literature Introduction
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Introduction
(TWENTIETH-CENTURY LITERARY CRITICISM)
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Fear in Literature
The subject of fear, whether in the form of neurotic anxiety or supernatural terror, is among the most prevalent in literature. A common element in the motivation of character and a dominant motif in contemporary fiction, the psychological and aesthetic qualities of fear have demanded the attention of literary critics since classical antiquity. Generally, critics see the specifics of literary fear both as a function of historical time and as a constant feature aroused by the human dread of the unknown or unknowable. The latter sort of fear has since been largely identified with the term Gothic, which was culled from the eighteenth-century vogue of the romantic novel of terror in a medieval setting. Popularized by such writers as Ann Radcliffe and Matthew "Monk" Lewis, the Gothic novel gave way to the modern genre of horror fiction with its ubiquitous treatment of supernatural forces that conspire to victimize and destroy human beings. Writers in this vein exploit what have become stock effects—the physical isolation of the protagonist, suspense and misdirection, and the introduction of a shadowy "other" or mysterious evil—to excite readers. A parallel line of development in the literature of fear is illustrated by the work of Edgar Allan Poe, in which psychological aberration coupled with an evocation of the uncanny and the macabre play the primary roles in creating an atmosphere of terror.
Answer:
im pretty sure the answer is A
Explanation:
:)
Answer:
The appositive or appositive phrase is:
"the revered English playwright"
Explanation:
An appositive is a word or phrase placed immediately after a noun with the purpose of renaming it. In other words, appositives offer extra information about the noun they follow. Depending on how essential that information is for the sentence, the appositive may be placed between commas or not.
In the sentence we are analyzing here, the appositive is "the revered English playwright," and it is offering further information about William Shakespeare. It is a nonessential or nonrestrictive appositive, which means it can be removed from the sentence without harm to the meaning being conveyed. Nonrestrictive appositives are placed between commas, as is the case here.
McKay personifies America as a woman who feeds him "bread and bitterness" and who sinks her "tiger's tooth" into his throat. By using the pronouns she and her to refer to America, McKay turns the concept of a country into a person who can cause the narrator harm even while he loves her. The effect of this personification turns the relationship between the narrator and his country into a more personal relationship, full of the conflicting emotions that come along with loving a person.
