The Radical Republicans were a faction of American politicians within the Republican Party of the United States from around 1854 (before the American Civil War) until the end of Reconstruction in 1877. They called themselves "Radicals" and were opposed during the War by the Moderate Republicans (led by President Abraham Lincoln), by the conservative Republicans, and the largely pro-slavery and later anti-Reconstruction Democratic Party, as well as by conservatives in the South and liberals in the North during Reconstruction.[1] Radicals strongly opposed slavery during the war and after the war distrusted ex-Confederates, demanding harsh policies for punishing the former rebels, and emphasizing equality, civil rights, and voting rights for the "freedmen" (recently freed slaves).[2]
During the war, Radical Republicans often opposed Lincoln in terms of selection of generals (especially his choice of DemocratGeorge B. McClellan for top command of the major eastern Army of the Potomac) and his efforts to bring seceded Southern states back into the Union as quickly and easily as possible. The Radicals passed their own reconstruction plan through the Congress in 1864, but Lincoln vetoed it and was putting his own presidential policies in effect by virtue as military commander-in-chief when he was assassinated in April 1865.[3] Radicals pushed for the uncompensated abolition of slavery, while Lincoln wanted to pay slave owners who were loyal to the Union. After the war, the Radicals demanded civil rights for freedmen, such as measures ensuring suffrage. They initiated the various Reconstruction Acts, and limited political and voting rights for ex-Confederate civil officials, military officers and soldiers. They bitterly fought President Andrew Johnson; they weakened his powers and attempted to remove him from office through impeachment, which failed by one vote in 1868.
Explanation:
American imperialism” is a term that refers to the economic, military, and cultural influence of the United States on other countries. First popularized during the presidency of James K. Polk, the concept of an “American Empire” was made a reality throughout the latter half of the 1800s. During this time, industrialization caused American businessmen to seek new international markets in which to sell their goods. In addition, the increasing influence of social Darwinism led to the belief that the United States was inherently responsible for bringing concepts such as industry, democracy, and Christianity to less developed “savage” societies. The combination of these attitudes and other factors led the United States toward imperialism.
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“Ten Thousand Miles from Tip to Tip”: “Ten Thousand Miles from Tip to Tip,” refers to the extension of U.S. domination (symbolized by a bald eagle) from Puerto Rico to the Philippines. The cartoon contrasts the 1898 representation with that of the United States in 1798.
American imperialism is partly rooted in American exceptionalism, the idea that the United States is different from other countries due to its specific world mission to spread liberty and democracy. This theory often is traced back to the words of 1800s French observer Alexis de Tocqueville, who concluded that the United States was a unique nation, “proceeding along a path to which no limit can be perceived.”
Pinpointing the actual beginning of American imperialism is difficult. Some historians suggest that it began with the writing of the Constitution; historian Donald W. Meinig argues that the imperial behavior of the United States dates back to at least the Louisiana Purchase. He describes this event as an, “aggressive encroachment of one people upon the territory of another, resulting in the subjugation of that people to alien rule.” Here, he is referring to the U.S. policies toward Native Americans, which he said were, “designed to remold them into a people more Appropriately
I believe the answer is religion
To create the visual illusion of depth on a flat surface, Renaissance painters used the technique called foreshortening which can make individuals look shorter or have shrunken proportions. For an example see the painting "The Lamentation of Christ" by Andrea Mantegna c.1480.
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