What "knits" the above painting together?

Can someone please help me with this assignment? It’s due tomorrow.

dmitriy555 [2]

Answer:

You did not put the assingment in

Explanation:

7 0

3 years ago

In ancient Indus sculpture, people were represented _______________.

Nutka1998 [239]

Realistically. Is the answer to ur question

3 0

3 years ago

How are you working with proportion in your realistic drawing?

gregori [183]

Answer:

You should try to keep the one viewpoint in mind, to be careful of the perspective, to draw additional helping lines (the grid, the axis, the central line, etc.), and always measure one part of the object in relation to another (measure height according to length for example, or distance of one object in relation to other distance)

Explanation:

The proportions are the basics of realistic drawings and they include the lifelike relations of the objects, the same observant spot, and the correct positioning of the objects, and the good measurements.

First, you must make sure all objects on the drawing are presented as seen from the same angle and point of view. That means you should have the one perspective point, and draw all things shown as seen from that point.

The second is to have a good perspective on things. The lines should not be completely straight, but they should go closer as the object is presented as “further”. These imaginary lines at the edge of the object should meet at one vanishing point on the horizon. This means your perspective is good.

It is a good idea to draw a grid on the paper first in thin lines. This way, you can separate parts of your drawing, and see how they relate to one another. The grid is especially useful when drawing something from the photography, as you can draw the grid on the photo as well and copy one part after another. It is always useful to lightly position the central line of the object, to see where the middle is, and to the position in accordance with it. This also can help you maintain the balance of the object.

You should always measure the elements of the object you are drawing. This means you use a stick or a pencil to measure one part in relation to another – is it bigger, smaller, how many times is one included in another, etc. They should always be measured relating to others to show genuine proportional. This way, the object will have correct realistic measurements, and no part will be shown as different in relation to others. If you put the central line on the object, you can also measure in accordance with it. Be sure to also portion the correct distance from one object to another in the same way.

5 0

3 years ago

Explain why the 1960's proved revolutionary for the anime industry in Japan?

Dmitry_Shevchenko [17]

Answer:Japan began producing animation in 1917—still the age of silent films—through trial-and-error drawing and cutout animation techniques, based on animated shorts from France and the United States. People started talking about the high quality of Japanese “manga films.” But Japanese anime were costlier to produce than Western animations and were overshadowed by the popularity of Disney cartoons. They faced an uphill battle from the start.

One of the things that helped them find their niche was anime production for public relations and publicity campaigns by public institutions. Domestic anime production was beginning to develop a small but solid foundation when Tokyo and the surrounding area suffered catastrophic damage in the Great Kantō Earthquake in 1923. The anime industry was forced to start over from scratch.

The industry continued to struggle, unable to respond adequately to successive innovations, including the appearance of the first talkies in 1929 and color film in 1932. During this period, Ōfuji Noburō won international acclaim for Bagudajō no tōzoku (The Thief of Baguda Castle), which he made by cutting and pasting chiyogami (Japanese colored paper). His film is remembered as the first to make its presence felt outside Japan.

Many other promising anime artists appeared one after another, but with war approaching, goods were in extremely short supply as the national mood turned militaristic. Even film was not easy to get hold of. It was in this context that the first full-length theatrical film in the history of Japanese anime was released. Momotarō: Umi no shinpei (Momotarō’s Divine Sea Warriors, B&W, 74 minutes), produced by the navy, came out just before the end of the war. This was a propagandistic film designed to lift morale and commitment to the war effort.

Soon after the war ended, the General Headquarters of the Allied occupation (GHQ) brought together 100 anime artists in the bombed-out ruins of Tokyo to form the Shin Nihon Dōgasha, or New Japan Animation Company. The aim was to make it easier to spread occupation policies by having the artists produce anime in praise of democracy. However, many of the artists were fiercely independent and territorial, and the company was riven by disagreements from the outset. The project strayed off course, and eventually disbanded. Even GHQ threw in the towel. It seemed the switch from militarism to democracy was not going to be so easy.

Explanation:

6 0

3 years ago

Analyze the artwork of your choice in terms of composition, perspective, chiaroscuro, color block, and line. Under each artistic

Pie

Answer:

yes

Explanation:

3 0

3 years ago