Answer:
Ernest Hemingway writes his short story, "The Short Happy Life of Francis Macomber," in the third person omniscient point of view. Throughout the story, Hemingway shifts the perspective of the point of view--the thoughts and feelings reported by the narrator--from character to character. Readers do not have access to what every character is thinking and feeling at the same time. That access shifts for each episode in the story's action. The flashback of the lion hunt is told mainly from Francis Macomber's perspective, which gives his experience of the hunt primary significance. At key points, however, Hemingway shifts the perspective to the thoughts and feelings of the lion--relating the exact same action from the perspectives of both Macomber and the lion. Alternating between their perspectives provides strong comparisons between Macomber and the lion. The contrasts shown between their perspectives serves to highlight and emphasize Macomber's fear and display of a cowardly character.
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I would have to say that the meaning of this phrase would be that she sees that food and education does'nt give her the gratification trendy that apparel does. I'm sorry but this is the closest that I could possibly think well hopefully you get the idea. Sorry if i didnt answer this correctly. Hope i help
Answer:
<h2>Chaubisi Rajya were sovereign and intermittently allied petty kingdoms on the Indian subcontinent that the Magar people ruled.Prithvi Narayan Shah ascended the throne of the Gorkha Kingdom in 1743; he subsequently began the unification process of the present day country of Nepal.The Chaubisi Rajya were annexed during the unification from 1744 to 1816. A parallel group of 22 small kingdoms, Baise Rajya existed to the west of the Gandaki Basin.</h2>
A. TO explain those in favor burning the books believe doing so is positive.
Option C. The invasion novel takes advantage of readers fear of attack from a foreign invader.
- A historical literary genre known as invasion literature (or the invasion novel) peaked between 1871 and the First World War (1914).
- The fictitious tale of a German invasion of England, "The Battle of Dorking," published in 1871 in Britain marked the beginning of the genre's widespread recognition.
- By 1914, the genre had acquired a corpus of over 400 works, numerous best-sellers, and a global readership thanks to the popularity of this short story, which ignited a literary fad for tales that stoked readers' imaginations and concerns about imagined invasions by foreign countries.
- In the years before the First World War, the genre had a significant impact on British politics, national policies, and public views, and it continues to do so now.
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