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Las influencias culturales en las expresiones artísticas nacionales se ven reflejadas por la presencia dominante de alguna expresión cultural externa que ha permeado en la sociedad, y transmite su tradición e historia en la cultura a la que está influyendo.
Por ejemplo, cuando los españoles conquistaron Mesoamérica y Sudamérica, trajeron consigo sus propias creencias y tradiciones que impusieron a los indígenas de América.
Hablamos de dos cosas principalmente. Les impusieron su idioma: el Español. Y les impusieron su religión: el Catolicismo.
Los españoles se dieron la terea de eliminar a los ídolos que veneraban los Indios. Afortunadamente, nunca los eliminaron del todo. Lo que sí lograron fue imponer su idioma. y con ello, una serie de costumbres, tradiciones y cultura que hoy en día es parte de los pueblos Latinoamericanos.
The Two Fridas (Las dos Fridas in Spanish) is an oil painting by Mexican artist Frida Kahlo. The painting was the first large-scale work done by Kahlo and is considered one of her most notable paintings.[1] It is a double self-portrait, depicting two versions of Kahlo seated together. One is wearing a white European-style Victorian dress while the other is wearing a traditional Tehuana dress.[1] The painting was created in 1939, the same year that Kahlo divorced Diego Rivera,[1] although they remarried a year later.
Some art historians have suggested that the two figures in the painting are a representation of Frida's dual heritage.[2] Her father, Guillermo Kahlo, was German; while her mother, Matilde Calderon, was Mestizo (a mix of Spanish and Native American).[3] Another interpretation is that the Tehuana Frida is the one who was adored by her husband Diego Rivera, while the European Frida is the one that was rejected by him.[4] In Frida's own recollection, the image is of a memory of a childhood imaginary friend.[5]
Both Fridas hold items in their lap; the Mexican Frida holds a small portrait of Diego Rivera, and the European Frida holds forceps. Blood spills onto the European Frida's white dress from a broken blood vessel that has been cut by the forceps. The blood vessel connects the two Fridas, winding its way from their hands through their hearts.[6] The work alludes to Kahlo's life of constant pain and surgical procedures and the Aztec tradition of human sacrifice.[6] Because this piece was completed by Kahlo shortly after her divorce, the European Frida is missing a piece of herself, her Diego.[4]
According to Kahlo's friend, Fernando Gamboa, the painting was inspired by two paintings that Kahlo saw earlier that year at the Louvre, Théodore Chassériau's The Two Sisters and the anonymous Gabrielle d'Estrées and One of Her Sisters.[7]
Answer:
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Explanation:
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In life, almost all difficulties may be considered 'speed bumps' or some other similar word from reaching their own goals.
There are, in my opinion, three main types of obstacles, which are;
-Physical
-Mental/Emotional
-Outside (AKA Obstacles out of your control)
There are countless possible obstacles for each category, but to name a few for each;
-Physical difficulties may include an injury that would prevent an activity-based to be achieved or a disease that affects your inability to move towards a goal.
-Mental/Emotional goals can include disorders, diseases, or certain negative events occurring that can hinder your ability to function normally.
-Outside obstacles can be anything from weather cancelling an event you wanted to complete to a person having to opt out of something you needed them to partake in.
In conclusion, there are countless stops that resist against human goals.
Answer:
d. the standardization of the Mass into a five-section form
Explanation:
The Renaissance brought great changes in the various forms of artistic expression, and music was no exception. An important example is the Mass, which was a sacred musical form that musically established the Eucharistic liturgy. The Renaissance, rightly known as the Golden Age of the composition of the Mass, brought new forms of musical composition that allowed the unification of the Mass.
