Answer:
Primary Audience/Influence on Language Choices – List specific words/phrases that seem to be specifically designed to resonate with this particular audience.Secondary Audience/Influence on Language Choices (when appropriate – there is not always a secondary audience). List specific words/phrases that seem to be specifically designed to resonate with this particular audience.
Explanation:
Hello.
The answer is A. "Help! It's got my leg!" screamed the heroine in the bogus horror movie on TV.
This is not b because after "Leg!" there is a coma when there should only have one puncuation.
Have a nice day
The correct answer is D.
Living in apartheid-era South Africa lead Hilary Kromberg Inglis and her sibilings to become activist against apartheid.
In the story, she experienced first hand what apartheid laws could do to a family. Her uncle Michel had been baned from the country for speaking agains Apartheid when he was out of the country. And even when her granfather was dying, he was not allowed to enter South-Africa, not even to cross the glass of the airport, to say one final goodbay to his father.
Hilary realized then that apartheid was a war, because only wars could cause so much pain, and that created her desire to fight it, to seek for a word with equal human rights for everyone.
What poster? Do you have a pic that I can look at?
<u>Background:</u>
In the story <u>‘The Open Window’ </u>by <u>H. H. Munro (Saki)</u>, Mrs. Sappleton’s niece Vera, in the absence of the former constructs a fictitious story about her husband and her brothers, describing in detail their clothing and habits, and tells him that they went for shooting three years ago on that day, and were swallowed up by the treacherous bog. She also tells him that her aunt always kept the window in the room open in the tragic hopes that they’d come back through it, along with the brown spaniel who went with them. Mrs. Sappleton is unaware of the story that Vera had told Mr Nuttel.
<u>Explanation:</u>
The dramatic irony of the situation where the reader knows both the perspective of Mrs. Sappleton and that of Mr. Nuttel while they themselves were ignorant of the other’s perspective is what makes the interaction between them humourous.
The apparently delusional quality that Mr. Nuttel must have ascribed to Mrs. Sappleton’s cheerful way of talking about her supposedly dead kin like they were alive also adds humour to their talk.
Mr. Nuttel’s weak nerves were a significant aspect of the comic interaction, because it prevented him from confirming the story from Mrs. Sappleton, or to successfully change the topic that caused him such discomfort. Mrs. Sappleton didn’t pay much attention to Mr. Nuttel while talking and couldn’t understand or ask him about his discomfort, and thought that he could only talk about his illness.
At the end, the difference between their points of view shows them different worlds altogether, and Mr. Nuttel’s sympathy transforms into horror, and he runs out of the house in utter fright.
