Answer: I can’t see it yeaaa so sorry
Explanation:
Answer:
B.) send a brief thank you note to the interviewer
Explanation:
it's a very polite thing to do.
<span>The narrator of the Odyssey invokes the Muse, asking for inspiration as he prepares to tell the story of Odysseus. The story begins ten years after the end of the Trojan War, the subject of the Iliad. All of the Greek heroes except Odysseus have returned home. Odysseus languishes on the remote island Ogygia with the goddess Calypso, who has fallen in love with him and refuses to let him leave. Meanwhile, a mob of suitors is devouring his estate in Ithaca and courting his wife, Penelope, in hopes of taking over his kingdom. His son, Telemachus, an infant when Odysseus left but now a young man, is helpless to stop them. He has resigned himself to the likelihood that his father is dead.
With the consent of Zeus, Athena travels to Ithaca to speak with Telemachus. Assuming the form of Odysseus's old friend Mentes, Athena predicts that Odysseus is still alive and that he will soon return to Ithaca. She advises Telemachus to call together the suitors and announce their banishment from his father's estate. She then tells him that he must make a journey to Pylos and Sparta to ask for any news of his father. After this conversation, Telemachus encounters Penelope in the suitors' quarters, upset over a song that the court bard is singing. Like Homer with the Iliad, the bard sings of the sufferings experienced by the Greeks on their return from Troy, and his song makes the bereaved Penelope more miserable than she already is. To Penelope's surprise, Telemachus rebukes her. He reminds her that Odysseus isn't the only Greek to not return from Troy and that, if she doesn't like the music in the men's quarters, she should retire to her own chamber and let him look after her interests among the suitors. He then gives the suitors notice that he will hold an assembly the next day at which they will be ordered to leave his father's estate. Antinous and Eurymachus, two particularly defiant suitors, rebuke Telemachus and ask the identity of the visitor with whom he has just been speaking. Although Telemachus suspects that his visitor was a goddess in disguise, he tells them only that the man was a friend of his father.</span>book 2<span>When the assembly meets the next day, Aegyptius, a wise Ithacan elder, speaks first. He praises Telemachus for stepping into his father's shoes, noting that this occasion marks the first time that the assembly has been called since Odysseus left. Telemachus then gives an impassioned speech in which he laments the loss of both his father and his father's home—his mother's suitors, the sons of Ithaca's elders, have taken it over. He rebukes them for consuming his father's oxen and sheep as they pursue their courtship day in and day out when any decent man would simply go to Penelope's father, Icarius, and ask him for her hand in marriage.
Antinous blames the impasse on Penelope, who, he says, seduces every suitor but will commit to none of them. He reminds the suitors of a ruse that she concocted to put off remarrying: Penelope maintained that she would choose a husband as soon as she finished weaving a burial shroud for her elderly father-in-law, Laertes. But each night, she carefully undid the knitting that she had completed during the day, so that the shroud would never be finished. If Penelope can make no decision, Antinous declares, then she should be sent back to Icarius so that he can choose a new husband for her. The dutiful Telemachus refuses to throw his mother out and calls upon the gods to punish the suitors. At that moment, a pair of eagles, locked in combat, appears overhead. The soothsayer Halitherses interprets their struggle as a portent of Odysseus's imminent return and warns the suitors that they will face a massacre if they don't leave. The suitors balk at such foolishness, and the meeting ends in deadlock.
As Telemachus is preparing for his trip to Pylos and Sparta, Athena visits him again, this time disguised as Mentor, another old friend of Odysseus. She encourages him and predicts that his journey will be fruitful. She then sets out to town and, assuming the disguise of Telemachus himself, collects a loyal crew to man his ship. Telemachus himself tells none of the household servants of his trip for fear that his departure will upset his mother. He tells only Eurycleia, his wise and aged nurse. She pleads with him not to take to the open sea as his father did, but he puts her fears to rest by saying that he knows that a god is at his side.</span>
I'm completely sure that line given above elevates the mood by depicting heroism in grief.
In Shakespeare’s time people believed in witches. They were people who had made a pact with the Devil in exchange for supernatural powers. If your cow was ill, it was easy to decide it had been cursed. If there was plague in your village, it was because of a witch. If the beans didn’t grow, it was because of a witch. Witches might have a familiar – a pet, or a toad, or a bird – which was supposed to be a demon advisor. People accused of being witches tended to be old, poor, single women. It is at this time that the idea of witches riding around on broomsticks (a common household implement in Elizabethan England) becomes popular.
There are lots of ways to test for a witch. A common way was to use a ducking stool, or just to tie them up, and duck the accused under water in a pond or river. If she floated, she was a witch. If she didn’t, she was innocent. She probably drowned. Anyone who floated was then burnt at the stake. It was legal to kill witches because of the Witchcraft Act passed in 1563, which set out steps to take against witches who used spirits to kill people.
King James I became king in 1603. He was particularly superstitious about witches and even wrote a book on the subject. Shakespeare wrote Macbeth especially to appeal to James – it has witches and is set in Scotland, where he was already king. The three witches in Macbeth manipulate the characters into disaster, and cast spells to destroy lives. Other magic beings, the fairies, appear in A Midsummer Night’s Dream. Elizabethans thought fairies played tricks on innocent people – just as they do in the play.
