Answer:
<h2>D. People can govern themselves in a republic.</h2>
Explanation:
Two examples of Enlightenment views in support of people's ability to govern themselves would be the thinking of John Locke and Jean-Jacques Rousseau.
According to Locke's view, a government's power to govern comes from the consent of the people themselves -- those who are to be governed. He argued for a representative form of government in which legislators were put in place by having the majority of people supporting them. Then the leaders would need to govern in such a way that the people's rights to life, liberty, and property were protected.
Jean-Jacques Rousseau (1712-1778), in his landmark book, <em>The Social Contract</em>, strongly championed the sovereignty of the people (rather than thinking of kings as the "sovereign" ones). Rousseau contended that the "general will" of the people is always right -- in the sense that the people will, collectively, make decisions that are good for them as a society.
Answer:
Wholesome in the most “pull yourself up by your bootstraps” brand of mythical Americanism, “12 Mighty Orphans” is engineered to rouse emotions with uncritical pride, never reaching the less immaculate corners of the historical period it employs as canvas.
As schematic as they come, this is a movie about football innovation and good people helping parentless teenagers transition into more self-confident young men. Reworked from Jim Dent’s novel, about the real 1930s-1940s Mighty Mites team from the Masonic Home and School of Texas, this on-screen reformatting directed by Ty Roberts is competently pedestrian.A country emerging from the Great Depression serves as backdrop. President Roosevelt has put the New Deal in motion and the nation thirsts for hopeful stories that speak of a better tomorrow for all. Enveloped in that sentimentality is teacher, coach, and war hero Rusty Russell (Luke Wilson). He moves his family to an orphanage, the Masonic Home, to impact the resident boys’ lives through academics and, more vehemently, on the field.
Deployed early on and repeated throughout, bombastic editing choices call back to Rusty’s days on the battleground, creating visual parallels between war and football. These bits, which intermingle archival footage and black-and-white reenactments, cheapen the otherwise visual pleasantness of David McFarland’s cinematography (even if he likely shot those unfortunate snippets too). The majority of the boys we meet, including the ones that make the cut for the dozen in question, don't get much of a backstory; some never even speak. Hardy Brown (Jake Austin Walker), the requisite unruly sheep, is the notable exception. Following both biblical parables and clichés pertinent to movies about coaches and underdog teams, he is the prodigal child that eventually comes around proving himself indispensable. Without Rusty saving him, he’s the MVP that could have easily gone MIA.
Pent up anger permeates Walker’s performance. His dangerous self-destructiveness and pessimism give “12 Mighty Orphans” a slightly edgier tone. He cuts through Russell’s saccharine determinism, in spite t characters.
Explanation:
I can not see the passage can you please put another one
The Iron Curtain was a symbol/boundary that divided Europe into 2 areas. From the end of World War 2 and till the end of the Cold War. It symbolized the work of the Soviet Union blocking itself from the West and other non Soviet areas.
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