Answer:
According to the drummer boy, the soldiers are murmuring " Me, I’m the one, I’m the one of all the rest won’t die. I’ll live through it. I’ll go home. The band will play. And I’ll be there to hear it."
Explanation:
Copied straight from the drummer boy of Shiloh:
"What the men whispered the boy could only guess, and he guessed that it
was: Me, I’m the one, I’m the one of all the rest won’t die. I’ll live through it.
I’ll go home. The band will play. And I’ll be there to hear it."
Antigone's uncle, the powerfully built King Creon is a weary, wrinkled man suffering the burdens of rule.
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The two parts that indicate the literary point of view of the essay are: " remember that it always troubled me to account for those unvarying boots in the window, for he made only what was ordered, reaching nothing down, and it seemed so inconceivable that what he made could ever have failed to fit."
"Besides, they were too beautiful—the pair of pumps, so inexpressibly slim, the patent leathers with cloth tops, making water come into one's mouth, the tall brown riding boots with marvellous sooty glow, as if, though new, they had been worn a hundred years. Those pairs could only have been made by one who saw before him the Soul of Boot—so truly were they prototypes incarnating the very spirit of all foot-gear."
Answer:
Work is conducted in silence, questions are answered elliptically, if at all, and, by the end, the master will have withheld key pieces of knowledge that the apprentice is expected to acquire through guile or outright theft.
Explanation:
This sentence from the excerpt reveals the unusual manner in which traditional crafts are taught by Japanese boat builders. Teaching, which ordinarily should involve a dialogue between teachers and students is approached with silence. Questions are answered in a shady manner and this leaves the students with little or no knowledge at the end. This is different from what is obtainable in normal climes.
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