It’s two or more voices so put two as your answer
In shaping a movie’s mise-en-scene, filmmakers determine two aspects of (a) composition(b) Framing (what we (c) see on the screen) and (d) Kinesis (what (e) Moves on the screen).
The phrase "mise en scène" (literally, "the activity of putting onto the stage") is French. The phrase was first used in stage play, where it described the placement of performers and set pieces; when its use spread to other storytelling arts, however, its meaning changed.
Design and composition are the two main visual elements of mise-en-scène: Design is the technique used to choose how the locations, accessories, lighting, and performers will appear. The overall design is influenced by the stage design, décor, prop choice, lighting setup, costume, make-up, and haircut choices.
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Answer:
Commercial art includes advertising, graphic design, branding, logos and book illustrations. Fine art includes paintings, sculptures, printmaking, photography, installation, multi-media, sound art, and performance.
Answer:
B
Explanation:
When making a sculpture its always best to make sure you have the right material because if not then your sculpture may not come out the right way.
Answer:
c) everyone in Japan knows the scale of Mount Fuji
Explanation:
The Great Wave of Kanagawa, is a work that belongs to a series of woodcuts having the same theme overlooking Mount Fuji. In The Great Wave of Kanagawa, we observed a huge wave
that threatens fisherman boats with Mount Fuji in the background. It is noteworthy because it is a well-known image and is a reference of that country, is visible at the bottom of this print. The Great Wave of Hokusai makes a statement about scale, in part because everyone in Japan knows the scale of Mount Fuji.
This work is a woodcut, the most famous in the eastern world ever widespread and the best known of the Japanese painter and printmaker Katsushika Hokusai. Considered a master, he used the style of ukiyo-e that aimed to reflect the life and interests of the lower strata of society.