Emily Dickinson and Gwendolyn Brooks were born "in different centuries" apart. Gwendolyn Brooks was b<span>orn in 20th century in Kansas. On the other hand, Emily Dickinson was born on born in the 18th century in Massachusetts. They were born 2 centuries apart.</span>
The effect of the hearer or reader emphasized
A
Not correct. She could have been using references to anything. Not all her references are from literature. Southern Bitter Wormwood is a reference to the wormwood plant which is medicinal in nature and it is very bitter.
C
Maybe. But there's a better answer. It's not her personality we are drawn to although it is quite bubbly if this passage is any kind of indication. It is the joy she takes in recognizing that Beowulf likes a good drink and he wanted her to join him and she was delighted by the invitation.
D
She could have been talking about anything that engaged her. It just happened to be mostly about the classics.
B
This is the best answer. C and D are close, but it really is B that we are attracted to. We have our eyes opened to the grand people in books. More than that we feel her joy in Beowulf, her polite tea conversation with Oliver Twist, her astonishing acceptance of the meaning of Sydney Carton's statement at the end of a Tale of Two Cities.
Answer:
Nature Poem follows Teebs—a young, queer, American Indian (or NDN) poet—who can’t bring himself to write a nature poem. For the reservation-born, urban-dwelling hipster, the exercise feels stereotypical, reductive, and boring. He hates nature. He prefers city lights to the night sky. He’d slap a tree across the face. He’d rather write a mountain of hashtag punchlines about death and give head in a pizza-parlor bathroom; he’d rather write odes to Aretha Franklin and Hole. While he’s adamant—bratty, even—about his distaste for the word “natural,” over the course of the book we see him confronting the assimilationist, historical, colonial-white ideas that collude NDN people with nature. The closer his people were identified with the “natural world,” he figures, the easier it was to mow them down like the underbrush. But Teebs gradually learns how to interpret constellations through his own lens, along with human nature, sexuality, language, music, and Twitter. Even while he reckons with manifest destiny and genocide and centuries of disenfranchisement, he learns how to have faith in his own voice.
Explanation:
