Read this excerpt from Narrative of Sojourner Truth. What type of external conflict does it describe?
When her master saw her, he said, 'Well, Bell, so you've run away from me.' 'No, I did not run away; I walked away by day-light, and all because you had promised me a year of my time.' His reply was, 'You must go back with me.' Her decisive answer was, 'No, I won't go back with you.' He said, 'Well, I shall take the child.' This also was stoutly negatived.
A.
person versus person
B.
person versus nature
C.
person versus society
D.
person versus self
Answer:
Person versus person conflict.
Explanation:
A Person versus person conflict is typically a conflict, struggle for supremacy or victory of one character over another. Usually, this conflict exists between hero and villain of a story.
Therefore, according to the excerpt from Narrative of Sojourner Truth, the type of external conflict it describes is person versus person conflict.
The correct answer is: “That God has taken his sight, but has returned Jane to him”. Here is the book's quote:
"And there is enchantment in the very hour I am now spending with you. Who can tell what a dark, dreary, hopeless life I have dragged on for months past? Doing nothing, expecting nothing; merging night in day; feeling but the sensation of cold when I let the fire go out, of hunger when I forgot to eat: and then a ceaseless sorrow, and, at times, a very delirium of desire to behold my Jane again. Yes: for her restoration I longed, far more than for that of my lost sight. How can it be that Jane is with me, and says she loves me? Will she not depart as suddenly as she came? Tomorrow, I fear I shall find her no more."
1) You’ll see your name in the fast scrolling credits of the movie, but there isn’t an Oscar category for Best Stunt (but does have a freaking category for Best Makeup and Hairstyle). That epic 17-story fall you just took? Well, everyone will think it was actually the big Hollywood star that was “reworking the screenplay” with the 20-year-old intern in his/her trailer, which smelled like a hippie commune.
2) When you do stunts, you not only do the dangerous (and arguably fun) stuff but you also might have to do things that actors don’t want because, honestly, it’s unpleasant. Also, you sometimes might have to do scenes with non-stunt performers (see: actors) which could result in injury due to their lack of training. For example, something as simple as getting a pie, a cake, or someone’s privates smacked to your face might instead be tasked to a stunt performer. Rolling around on the dusty ground could also be relegated to a stunt person because what kind of monster would force their talent to ruin a $400 mani-pedi for the sake of one measly scene?
