The store had been closed for two days; however, Murray still needed to get in.
Because Hamlet believes his love for ophelia is greater than Laertes . That Laertes grief is all for show and that he is exaggerating his loss . Hamlet goes on to say his loss is greater than Laertes and Hamlet would do many things for his love of Ophelia things that would show how deep his love for her is unlike Laertes.
Kafka believed that his father disapproved of him, the excerpt from "The Metamorphosis" that best suggests that Gregor's father views his son in the same way, is A. you women wouldn't listen. Gregor's mother has just fainted. His father has come back home, and Grete tells him that "Gregor has broken loose". His father misunderstands these words and says that he has warned both women. He understood, by Grete's message that Gregor had committed some violent crime, so it is clear that Gregor's father disapproved of him.
<span><span>A character is an imaginary person who takes part in the action of a play.</span><span>Drama tends to compress and simplify the personalities of characters, often relying on types to quickly sketch out and draw contrasts between them. </span>Unlike fiction, plays do not usually have narrators who can provide the reader or viewer with background information on characters. Consequently, the information we receive about them is limited to the dialogue they themselves speak.<span>The main character, or leading role, of a dramatic text is called the protagonist.</span><span>The antagonist is the counterpart or opponent of the protagonist.</span><span>In more traditional or popular dramatic texts, the protagonist may be called a hero or heroine, and the antagonist may be called the villain. </span><span>Dramatic texts also include minor characters or supporting roles. </span><span>Sometimes a supporting role can be said to be a foil, a character designed to bring out qualities in another character by contrast. </span>All the characters in a drama are interdependent and help to characterize each other.<span>Because of time constraints and the lack of narrators or room for exposition in dramatic texts, playwrights use shortcuts like stereotypes to convey character. Everyone involved, including the audience, consciously or unconsciously relies on stereotypes, or assumptions about various social roles, to understand characters. </span><span>In the United States today, casting—or typecasting—usually relies on an actor's social identity, from gender and race to occupation, region, age, and values. </span>Sometimes playwrights, directors, and actors overturn or modify expectations or conventions of characterization in order to surprise the audience.</span>
PLOT AND STRUCTURE
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A mother fulfils her child's needs and wishes.
And the last one could be when the mother is at her weakest she still tries be strong, because her child needs to rely on her.
