It looks like you answered your own question, but they also change the theme of the story from one of abandonment, control, and approval/validation.
Frankenstein creates his monster after his mother dies, leaving him feeling abandoned.
His creation is an attempt to give life without the need for a woman (controlling life).
The monster spends much of the story seeking validation from his creator, who wants nothing to do with him. In some sense, this parallels Victor's inability to cope with his mother's loss, except that Victor is still very much alive. I'm sure many people view this as a religious allegory (God abandoning humans).
I don't recall catching any of that in the movies. Instead, they turn it into the typical battle against the unknown/unfamiliar. The monster is not understood, and is grotesque looking, so the people want it gone. Of course, none of the pitchforks and torches are ever carried in the novel.
Of course, there's also the issue of Frankenstein's presentation on screen. In the book, he's clearly described as being yellow; yet, in most of the movies, he's green. Oh, and Frankenstein never yells "it's alive!"
Answer:
He could still “hear” in his head. All he had to do was transcribe what he “heard” and knew onto staff paper. Composers do not need to physically hear the music they are writing—they know how it will sound. Basically he already knew the basics of music, and so used his head in place of his ears.
It means "Going to sleep" or something like that. In 1902, mattresses were often sacks stuffed with straw or hay, which is why people also say 'hit the sack' as well.
speaking of which, Imma hit the hay cuz Its like 10 PM rn and I have a test tomorrow, cheerio mate
Round both the numbers
900 x 30
2700
Yes, it is reasonable, because when you estimate it, it is very close to 2,750.
Answer:
Expository is a genre meant to factually describe something, so the passage has evidence and reasoning in order to accurately describe the subject
Explanation:
