Answer:
Dashes are characterized as a small horizontal line(longer than a hyphen) which is used to mark a pause in the sentence by isolating the group of words. They can be used to connect two ideas
by marking the 'bonus phrases' which add additional information in the sentence. For example,
"Even the easiest things — watching movie, playing football, and going out with friends — became dream for me as I have my exams next week."
It is also used for <u>signaling the introductions of the sentence or conclusions</u>. For instance,
"To enhance your performance, you need to strictly focus on things you lag behind in — strength, confidence, and self-reliance."
I would say that the best answer is C, persuasive. Tom is trying to persuade the legislature to repeal the the current laws.
Answer:
Relative Clause.
Explanation:
A relative clause is the clause that consists of a subject and a verb. This clause begins with relative pronouns such as 'who, whose, whom, where, when, that, etc.' A relative clause helps in relating to something else in the sentence.
A relative clause is a dependent clause that helps in the identification of the noun that precedes it.
For example, The girl, whom the narrator met in the train, was blind.
In the above stated example, whom' is the relative pronoun that is used to identify the noun that preceded it, that is 'the girl.'
So, the correct answer is a relative clause.
Employers:
1. Identify Hazards (e.g. Physical, mental, biological, or chemical)
2. Decide who may be harmed and how (Determine who's at risk and how)
<span>
Employees:
3. Assess the risks and act accordingly (Decide how hazardous and likely of harm a hazard may cause and work to reduce the risk of the hazards)
Employer:
4. Keep records (Record hazards and note what has been done to reduce or eliminate it)
Both:
5. Review the assessment (Regularly refer to the assessment to have an agreed and mutual practice of safety) (Also, adding any new practices, machinery, etc.)</span>
Stream-of-consciousness is a very stylistic form of free indirect discourse. It is not spontaneous, or unintentional, or anything of the sort. In fact, if anything, it's just the opposite. It's highly stylized, but also purposeful and calculating. It sees the world wholly through the character's mind instead of through their senses, save for how the mind and the senses interact.
It relates to a lot of things - free association, synesthesia, free indirect discourse, without actually being any of them.
<span>There's only a handful of writers that can actually do stream-of-consciousness writing with any success - Joyce and Faulkner come to mind immediately. In short, there's nothing wrong with trying it, but there's also nothing wrong with not having done that, but having done, say, free association instead.</span>
