The section from the poem "The Caged Birds" illustrates the condition of the bird which has no control over its fate. It is explicitly captured within a prison and metaphors like "clipped wings" and "tied feet" propose that even if it tried, it is bound not to leave the premise it is contained in.
Further, in "Sonnet 29", the writer's allegorical language and expression portray the image of the narrator in the society where he feels unwanted. However, in the provided lines of the sonnet, the speaker laments on his position as an outcast and failure, also suggesting that this fate cannot be suppressed. Again, here, the condition of the narrator cannot be changed, same as the bird's situation.
Therefore, the common connotation suggested by the two excerpts is: "they both are angry at their circumstances," because they are stuck within their unfortunate conditions.
Answer:
tr
it's TRUE that a character is just a particular kind of literature analysis
Here's my answer he used many different internal tragedies in all the passages because he wanted to tell you about his life and how hard it was while he was a slave. I hope this helps.
Authors and Producers make money off of inspirational movies and or stories by pure luck. By knowing someone. Hence most jobs one receives is more likely due to someone they know. Authors that make money off their writings are often by pure genius luck. Movies cost money to make. Hence money makes our world turn so without money, people, and a good marketing strategy the only way one of the two or both could make money of their stories is to have the proper means to get it in the world's view and hope you make more selling it than you did in making it.
Answer:
Gloomy and Decay
Explanation:
In this poem, T S Eliot presents disillusion and physical inertia of modern life. The eternal footman is someone who waits while holding the coats of visitors. But this footman may be doom or death and may be the giver may nor return. Hence, the footman snickers, which is a half-suppressed, scornful laugh, rather than a normal laugh since he knows the person whom coat he is holding may not return back as in the case of a visitor who enters a building for entertainment or work.
