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lara [203]
1 year ago
15

A is a mark with length and direction, created by a point that moves across a surface which can vary in length, width, direction

, curvature and color. Different types of these are horizontal, vertical, diagonal, curvy, and zigzag.
Word Bank:
texture shape elements of art value color segments form line implied lines
Arts
1 answer:
N76 [4]1 year ago
6 0

A <u>line</u> is a mark with length and direction, created by a point that moves across a surface, which can vary in length, width, direction, curvature, and color. Different types of these <u>lines</u> are horizontal, vertical, diagonal, curvy, and zigzag.

<h3>What is a point?</h3>

A point can be defined as a zero-dimensional geometric object and it is generally represented by a dot.

This ultimately implies that, a point doesn't have a size such as length, width or height, but has position. This ultimately implies that, a point is an example of a zero-dimensional geometric object.

<h3>What is a line?</h3>

A <u>line</u> can be defined as a mark with length and direction, that is created by a point that is moving across a surface. Also, a line can vary in length, width, direction, curvature, and color.

<h3>The types of line.</h3>

Generally, there are different types of lines and these include the following:

  • Horizontal lines
  • Vertical lines
  • Diagonal lines
  • Curvy lines
  • Zigzag lines.

Read more on lines here: brainly.com/question/3574666

#SPJ1

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This early curator and collector of songs for the Library of Congress not only wrote down folk songs, but also recorded them in
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Answer:

In 1928, when the Librarian of Congress, Herbert Putnam, invited Robert W. Gordon to become "specialist and consultant in the field of Folk Song and Literature," Gordon had already conceived and launched his lifetime mission to collect the entire body of American folk music. He called it a "national project with many workers." Gordon attended Harvard University between 1906 and 1917, and then left in order to devote all his free time to this collecting enterprise. Supporting himself through teaching, writing, and the occasional grant, Gordon traveled from the waterfronts of Oakland and San Francisco, California, to Asheville, North Carolina, and Darien, Georgia, collecting and recording folksongs with his Edison wax-cylinder machine. He wrote a monthly column in Adventure magazine, "Old Songs That Men Have Sung," asking readers to send in copies of all the folksongs they could remember. And he contacted Carl Engel, chief of the Music Division at the Library of Congress, to discuss his dream and seek institutional support.

Engel believed that American grassroots traditions should be represented in the national library, and wrote in The Annual Report of the Librarian of Congress for 1928:

There is a pressing need for the formation of a great centralized collection of American folk-songs. The logical place for such a collection is the national library of the United States. This collection should comprise all the poems and melodies that have sprung from our soil or have been transplanted here, and have been handed down, often with manifold changes, from generation to generation as a precious possession of our folk.

Countless individuals, numerous walks of life, several races have contributed to this treasure of songs and ballads. It is richer than that of any other country. Too much of it has remained scattered or unrecorded. The preservation of this material in the remote haunts where it still flourishes is endangered by the spread of the radio and phonograph, which are diverting the attention of the people from their old heritage and are making them less dependent on it.

Explanation:

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4 years ago
NEED HELP ASAP!! NEED ALL ANSWERS!
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Answer:

look up the sheet music for each

Explanation:

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